Elevator

by Steven McCabe

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I read a quote by art critic Robert Hughes comparing painters: There is more death in a Gustave Courbet portrait of a trout than Rubens could get in a whole Crucifixion…

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Then I heard a song by an artist we saw in concert. Who spun magic, jewelled webs we fell into after chasing each other through twilight circumstance. Twilight and traffic.

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 The labyrinth ruled by Janus one level below.

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The shadows jousting on the street didn’t remind me of your fingertips, or your January dancing, or your honeyed cake.

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I didn’t make that joke in the elevator.

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Carried, like some tragic Pieta, into the stream. The playing of a wooden flute sounding in the reeds. My hands flat against your skin. The temperature slipping.

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Forbidden music within your temple as quiet and still as polished stones. Awash in the fragrance of whispered moments. As shiny as a silver bracelet, a tunnel, a hook.

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I’m not even sure I heard anything.

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Did such music ever exist.

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I’ve never wondered how my fine shoes, sewn of ancient parchment & soft as a silk purse, got so wet.

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Nor have I contemplated Gustave Courbet’s

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Trout.

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Or the absence of all that is not

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Trout.

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While gazing into the eye of the fish,

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A future sun.

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Credits for original images: The Trout by Gustave Courbet, 1873. Cat on a Hot Tin Roof, 1958, based on the play by Tennessee Williams starring Paul Newman and Elizabeth Taylor. Skyscraper and Tunnels by Italian Futurist painter Fortunato Depero, 1930. Pieta by Michelangelo.

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I do not own the original images or claim copyright. I have created new images for non-commercial purposes of commentary under Fair Use provisions of copyright law.

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