by Steven McCabe
Watching you in the shadows rip your poems into pieces, tossing them like blossoms cascading into a bucket of glowing coals.
The shadows of your hands flutter perfectly against the wall, the shadow of your fingers tearing shapes into pieces, tossed up & falling down, the sun at two o’clock highlighting shadows like birds sliding down the wall.
Nobody imagined your face streaked or the palms of your hands covered in coal dust.
One torn fragment flies through smoke and sticks to your streaked face in the shadow of a cherry tree, the bucket heavy as an anchor, the last of your words going up in smoke.
I fell in love with the maps of distant time, unexplained distant time & the Neolithic, I fell in love with the Neolithic – your dark hair,
Dark as some mystery strain of ancient wheat shimmering in the coolness of twilight, pressing your toes and fingers into the clay floor, stretching your body from horizon to horizon
Balancing a voluminous golden disc upon your delicate, curving spine. I’ve learned the language of discs and cherry blossoms, your fingers and smoke. I bury my animal cry.
Your shadows are hunger.
The eye blinks once in the gloomy shadow of the soul’s laboratory. A shattered disc showers fragments. Clay – no, not clay – gold. Hollow doors open and close, concealing this world. You seize the universal remote. Your fingertips press TV channels bright as a sun. The Clay Channel. The Gold Channel.
You gave me an indelible precision I mistook for esoteric ambiguity. Shadows conceal and reveal. I gave you tools for repairing machinery. You asked where this machinery might be found.
In the Legion parking lot snakes fall from the sky. You sing them down into the branches, how you sang! They wound themselves down, sliding and wet, their hearts tinted with gold, zigzagging into liquid angles and spitting hieroglyphics, falling upon your shoulders like rain loosening your hair.
Cauldrons along your spine bubbled over spilling gold. I was drawn as if by a magnet to your magical hysteria on the night you promised you would never shatter again.
You raved about a coastline where we might find ourselves half-buried.
You ridiculed mannerism in cinema but never did you ridicule Suprematism. In the shadow of a tower you open a drawer filled with soft gloves and the sounds of night. You pull charcoal up to your elbow. The Suprematism of your eyes lined with kohl.
A movement crosses the palm of your hand dividing stone from water. Your breath fills your spine with heat, a motionless reflection shimmers, spreading to the edge of a stone radius.
Your blood has not forgotten this stone.
I read Neolithic in full in February and it took me ten minutes to read with a fairly brisk delivery. I have edited it substantially (and spontaneously) for this posting. I hope I have conveyed the essence of the poem even knowing how much is missing…
Thank you Harold!
Stunning, Steven. I’m blinded and speechless.
Thank you Virginia. Wow I’m glad to hear it had that much impact. Thank you again sincerely.
It would be interesting to hear you read this with the images projected.
Thanks Tom. That would be an interesting thing to do. And now it’s on the list. Grazie.
Beautiful, and sad.
Thank you mrsdaffodil. Yes.
Remarkable Steven, the images and the words and their dance. The passage beginning, “In the Legion Parking Lot…” was an epic film all on it’s own. Sensitive and stunning…
Thank you so much John. You’ve given me an idea for that passage/section. Very much appreciate your feedback.