poemimage

Where text meets image. Where the visual intersects the literary. Often posting 1st drafts and editing in (almost) real time.

Month: July, 2021

GIF Experiments: 25 (Exploring Five Lines from Lyon by Pierre L’Abbe in Six Variations)

In the traboules of the Croix-Rousse
the shuffling silk weaver
the bile of vertigo rising in his throat moves left
in the stairwell only the balls of his feet
on narrow circular steps

(from Lyon, Pierre L’Abbé)

Pierre L’Abbé is a poet and fiction writer, he recently translated Palestine, a novel by Hubert Haddad.  

A Memory from July 10, 2013

I am working on a new GIF to accompany 5 lines from Lyon by Pierre L’Abbe. The stanza he sent me is so evocative I keep creating new images. So a few more days until I post that.

In the meantime, in a file folder, I found a poem & drawing from July 10, 2013. Close to eight years ago. My dryer was broken, though not the washing machine, so I went to the laundromat with bags of wet clothing. I brought a pen and paper.

The memory of writing a poem in the laundromat impacts me more than re-reading the poem. The poem touches on loss. It was a big deal at the time. As big as the universe. The drawing seems to be about the future. And loss as well.

He examines something, a memory, maybe it belonged to somebody, while his body transforms. He’s growing wings made of fossils or maybe a spiked spinal column has departed. Disappearing. His tears fall channeled into ancient patterns. Or maybe those channels teach him new patterns. Giving him fuel. Leaves, or flames, grow from his eyes. A drawing about vision.

A quickly sketched ink drawing might express many secrets. Something unknown always at work.

GIF Experiments: 24 (The Ronettes… although)

I’m glad I was able to post a GIF today. I was working with a large volume of images interpreting five lines from Lyon by Pierre L’Abbe and need more time. I will (knock on wood) assemble that GIF this coming week. In the meantime I offer this ‘slow-moving river of a GIF’ featuring (ostensibly) The Ronettes, although they too were code for something else I suspect, considering when I drew them.

THIS GIF HAS SUFFERED SOME SORT OF DAMAGE OVER TIME. EACH PANEL IS SUPPOSED TO LOOK LIKE THIS (BELOW). I WILL FIX THIS (REPLACE) AT SOME POINT.

GIF Experiments: 23 (Napoleon and the Cook)

This one has a humorous air to it to go with the pathos of solitude. The ‘face’ of the striding emperor (can you see it?) is the same as the harlequins in the procession with yellow flags. I created a series of pages with that face & design. A shape accidentally happened, I noticed it looked like a face and saved it – it reminded me of my (deceased) brother.

I ‘sign’ these GIFs same as I would a drawing or painting. It’s not egomania that makes me put my name in there.

GIF Experiments: 22 (The Charge of the Light Brigade)

Although the title in the GIF looks like a book and the GIF looks like a book trailer it’s not. However I created poetic text after the fact.

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The Light Brigade

As in

Let There Be Light.

Witness

The mechanics of charging light.

Witness traction activate

Clouds of unknowing known

As muscled determination.

The mechanical opposite to A sucker born every minute.

Touch your tongue to the tent of your mouth. Announce

Charge

Pronounce light

As in

Let There Be Light.

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Notes on the GIF: Intimations of Runic script transform into curvilinear vegetal design indicating a charging beast. It happened visually by itself (so to speak) during the design process.

Finding ‘his’ footing. Gaining traction. The irony of a ‘massive’ beast doing double-duty as charging light. Charging like flashlight beams in a force field? Surely he is not disembodied.

This GIF ponders our pressing situation, universal as it is, and the question of something, anything, out of the blue in reply.

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