I scanned an ink drawing done in 2010. I did hundreds of smaller and larger drawings for an exhibition in 2011 of 66 works. This one didn’t make the final cut although I don’t know why.
For much of Monday and half of Tuesday this week I created digital manipulations in Photoshop of the original drawing.
Much of my knowledge of Photoshop comes from exploring but I was fortunate to take a digital design class with an expert.
He was preparing the class for careers in advertising or editorial design. I was the oldest person in the class. The others were all whizzes with software and keyboard shortcuts, etc… I was like a farmer with a mule.
The original drawing has now given birth to 122 images. I scanned the original at 1200 dpi so the images are sharp and succinct. Take them down to 300 dpi to print a book, maybe add text – or leave them as digital collages. Somehow around #80 or so this figure emerged, imagined as the young woman from a poem (written this week) named Mary.
One, of course, should let the work sit and later evaluate it but for now I am feeling none-too-precious about words and ideas. I just might leave it raw and imperfect.
The image of the cross to accompany the Vosnesensky poem I am Goya came from rearranging the comics or graphic novel-type panels. A lot of those in the final 25/122.
I realized after posting I am Goya that I had also posted this poem in poemimage on the last day of November in 2012. Around that time my great journey into loss was underway. I survived. Relating this work by Vosnesensky (& knowing its monumental & historical subject matter) to personal psyche is perhaps not trivial. The word ‘bookends’ comes to mind.