Traveling Backwards in The Field of Time: A Romantic Comedy







In light of ‘the body electric’ in the poetry of Walt Whitman.
In light of the poetry of Walt Whitman.
In light of the body.
In light of the shadow.
In light of the shadow a question.
In deepest shadow The Leisure Class.
Imagine a word in the yellow garden of the angel-faery
imagine the word mirabilia
mirabilia opens a curtain revealing a portal
angel-faery imagines me ~ I imagine mirabilia
not three not two not one not me disappearing
into a collapsed perimeter ~ I imagine an angel-faery
in the yellow garden you memorize mirabilia
three eyes aimed upon a stem three eyes upon a flower
memory cascading sounding the word mirabilia
in the yellow garden yellow-ish flowers whisper
in the luminous yellow garden angel-faery whispers
angel-faery touches my eyelid to the flower of her vision
in blue soil I ring like a bell
the keyhole shaped like an ancient symbol
the flower of mirabilia touches your blue soil
darkness like a keyhole beckons the echo of my vision
into the garden of the angel-faery memory cascading
mirabilia penetrates a keyhole beyond the collapsed perimeter
who what where when why
not three not two not one not you
disappearing within the collapsed perimeter.
ink brushwork, printmaking, digital collage s mccabe
History will not tell you this but I was there
a gnarly oak branch growing out my back
animals conceal buried acorns
Julius Caesar ignites his clothing
Jesus Christ recites the Brehon Laws of ancient Ireland
Mary Magdalene instructs me to bring my own basket
typewriters made of ice float in the sea
poets climb staircases carved into ice mountains
your neighbour conceals snakeskin sheathing his heart
the guardians of upper eternity affix their shadows
maps made of powdered sugar swirl into the wind
I forget the knotted scarf
I forget to die
I wash lead cisterns
my eyelids purple with prophetic script
beneath the gaze of spiritual machinery
I said take me with you.
I gaze upon her at the walk-in clinic
only the two of us
she carries a brilliant white bowl made of clay
her name scratched into the white glaze
I said haven’t I met you before
she said a long time ago
in the library at Alexandria
I said why are you here
she said the people who started the fire
arrested me for reading Ovid
they sentenced me to life without honey
I said what is the bowl for she didn’t speak
I thought my conversation bothersome
& fell quiet
she said I read Ovid at the speed of light
I said like a honeybee
she said honeybees are slower than the speed of light
I snap my fingers like a jazz musician
You got it!
Honeybees are slower than the speed of light!
She said it might be the title of a brilliant love poem
about snails
I said two snails conceptually in love
she said you have to become healthy
I said what’s wrong with me
she said consider velocity
consider clay pots breathing in a cave
unfurling billowing sail-skins of air
unfurling billowing sail-skins of sunshine
the Dead Sea Scrolls
rolled and telepathic
secretly rescued in the fire
she winks one eye
I snap my fingers
she said Im not saying anything
a voice calls her number
two snails conceptually move about in the sunshine
wrapped in honey-coloured sail-skins billowing
unfurling honey-coloured sail-skins often
I am healthy often
the people who start the fire sentence her to honey found secretly on cliff-sides
I walk in circles upon the rounded peak of a vertical mound
chosen because it has no shade trees
I am healthy often eating honey
the brilliant afternoon drenched in honey-coloured telepathic heat
swirling like butter from the ancient cows
a deer pushes his nose into the brilliant white pages
I read Ovid listening to a brilliant buzzing sound.
This is the scene
where I follow the animal
into the forest.
This could be a bird.
A Cubist experiments
with wind
and Morse Code.
Perhaps John Lennon never
considered old flat top a dolmen
never say never
I heard them say
in John Lennon world
You got to be free
forever
north south east west
never say never
I heard them say
beneath
beside
bequeathing dolmens
bequeathing breath
infinity
soul
north south east west
never say never
I heard them say.
‘Do you need a ride home?’
‘Yes, I just arrived.’
‘Where will you be staying?’
‘Wherever they will have me and speak the truth.’
‘Have you heard of television?’
‘I have read The Little Box poems by Vasko Popa.’
‘Those are two different things.’
‘I know.’
I listened earlier to Bob Dylan singing ‘As I Went Out One Morning’ and put up a blog post about the revolutionary Tom Paine and the lyrics to the song (on Dylan’s 1968 John Wesley Harding album) and a photo of Bob receiving the 1963 Thomas Paine award (& how he went on a rant against the respectable liberal audience) & so it goes. In the end I decided to simply show this B&W art (Medieval Gamblers) created in Photoshop today via digital collage & possibly using elements of ink drawings. I could feel the atmosphere of the medieval inn, and textures like wood and burlap, and the mood of danger lurking. There seems to also be danger lurking here & now so it’s not so difficult to intuit. As for gambling I’ve never allowed others to gamble with me. At least I’ve tried & so it goes.
As I went out one morning
To breathe the air around Tom Paine’s
I spied the fairest damsel
That ever did walk in chains
I offer’d her my hand
She took me by the arm
I knew that very instant
She meant to do me harm
“Depart from me this moment”
I told her with my voice
Said she, “But I don’t wish to”
Said I, “But you have no choice”
“I beg you, sir,” she pleaded
From the corners of her mouth
“I will secretly accept you
And together we’ll fly south”
Just then Tom Paine, himself
Came running from across the field
Shouting at this lovely girl
And commanding her to yield
And as she was letting go her grip
Up Tom Paine did run,
“I’m sorry, sir,” he said to me
“I’m sorry for what she’s done”
– Bob Dylan, 1968
Running backwards on a night when all is lost.
When you cannot remember what is lost.
When you see the night-sky running backwards.