poemimage

Where text meets image. Where the visual intersects the literary. Often posting 1st drafts and editing in (almost) real time.

Category: Ink drawings

Traveling Backwards in The Field of Time: A Romantic Comedy

Imagine a Word

Imagine a word in the yellow garden of the angel-faery

imagine the word mirabilia

mirabilia opens a curtain revealing a portal

angel-faery imagines me ~ I imagine mirabilia

not three not two not one not me disappearing

into a collapsed perimeter ~ I imagine an angel-faery

in the yellow garden you memorize mirabilia

three eyes aimed upon a stem three eyes upon a flower

memory cascading sounding the word mirabilia

in the yellow garden yellow-ish flowers whisper

in the luminous yellow garden angel-faery whispers

angel-faery touches my eyelid to the flower of her vision

in blue soil I ring like a bell

the keyhole shaped like an ancient symbol

the flower of mirabilia touches your blue soil

darkness like a keyhole beckons the echo of my vision

into the garden of the angel-faery memory cascading

mirabilia penetrates a keyhole beyond the collapsed perimeter

who what where when why

not three not two not one not you

disappearing within the collapsed perimeter.

ink brushwork, printmaking, digital collage s mccabe

animals in the sky nurse their young

I said that was a long time ago

I passed through that stage of being a long time ago

she said never mind you’re not who I’m looking for

a gold-tipped cane floats to sea

the needle in the handle fully loaded

the way the blanket is folded makes it look like a fish

she said never mind you’re not who I’m looking for

the tunnels beneath Funland flood

a gold-tipped cane surges to sea fully loaded

clouds notify

far-flung amphitheatres

sea-sponges sparkle

actors dip sponges

in limestone basins

sea-sponges float cloud-like

in quiet limestone basins

animals in the sky

nurse their young.

ink brushwork S. McCabe

Ovid

I  gaze upon her at the walk-in clinic

only the two of us

she carries a brilliant white bowl made of clay

her name scratched into the white glaze

I said haven’t I met you before

she said a long time ago

in the library at Alexandria

I said why are you here

she said the people who started the fire

arrested me for reading Ovid

they sentenced me to life without honey

I said what is the bowl for she didn’t speak

I thought my conversation bothersome

& fell quiet

she said I read Ovid at the speed of light

I said like a honeybee

she said honeybees are slower than the speed of light

I snap my fingers like a jazz musician 

You got it!

Honeybees are slower than the speed of light!

She said it might be the title of a brilliant love poem

about snails

I said two snails conceptually in love

she said you have to become healthy

I said what’s wrong with me

she said consider velocity

consider clay pots breathing in a cave

unfurling billowing sail-skins of air

unfurling billowing sail-skins of sunshine

the Dead Sea Scrolls

rolled and telepathic

secretly rescued in the fire 

she winks one eye

I snap my fingers

she said Im not saying anything

a voice calls her number

two snails conceptually move about in the sunshine

wrapped in honey-coloured sail-skins billowing

unfurling honey-coloured sail-skins often

I am healthy often

the people who start the fire sentence her to honey found secretly on cliff-sides

I walk in circles upon the rounded peak of a vertical mound 

chosen because it has no shade trees

I am healthy often eating honey

the brilliant afternoon drenched in honey-coloured telepathic heat

swirling like butter from the ancient cows

a deer pushes his nose into the brilliant white pages 

I read Ovid listening to a brilliant buzzing sound.

This is the Scene

This is the scene

where I follow the animal

into the forest.

This could be a bird.

A Cubist experiments

with wind

and Morse Code.

One Thing I Can Tell You

Perhaps John Lennon never

considered old flat top a dolmen

never say never

I heard them say

in John Lennon world

You got to be free

forever

north south east west

never say never

I heard them say

beneath

beside

bequeathing dolmens

bequeathing breath

infinity

soul

north south east west

never say never

I heard them say.

Expressive Encounter

I worked on the back porch early

drinking black coffee

like in a trance

creating expressive black & white works on paper

I thought of as ‘cave art.’

As the rising sun created light and heat

Denisovans climbed the back stairs

to the porch.

Denisovans stood watching me

in a dark and cool room.

I pointed outside the window

they touched their skin.

Medieval Gamblers

Medieval Gamblers by Steven McCabe

I listened earlier to Bob Dylan singing ‘As I Went Out One Morning’ and put up a blog post about the revolutionary Tom Paine and the lyrics to the song (on Dylan’s 1968 John Wesley Harding album) and a photo of Bob receiving the 1963 Thomas Paine award (& how he went on a rant against the respectable liberal audience) & so it goes. In the end I decided to simply show this B&W art (Medieval Gamblers) created in Photoshop today via digital collage & possibly using elements of ink drawings. I could feel the atmosphere of the medieval inn, and textures like wood and burlap, and the mood of danger lurking. There seems to also be danger lurking here & now so it’s not so difficult to intuit. As for gambling I’ve never allowed others to gamble with me. At least I’ve tried & so it goes.

As I went out one morning
To breathe the air around Tom Paine’s
I spied the fairest damsel
That ever did walk in chains
I offer’d her my hand
She took me by the arm
I knew that very instant
She meant to do me harm

“Depart from me this moment”
I told her with my voice
Said she, “But I don’t wish to”
Said I, “But you have no choice”
“I beg you, sir,” she pleaded
From the corners of her mouth
“I will secretly accept you
And together we’ll fly south”

Just then Tom Paine, himself
Came running from across the field
Shouting at this lovely girl
And commanding her to yield
And as she was letting go her grip
Up Tom Paine did run,
“I’m sorry, sir,” he said to me
“I’m sorry for what she’s done”

– Bob Dylan, 1968

It could have been

Time Machine

I told them I was no expert but they signed the contract anyway.

The flight to the cave in the mountains was so long it included five meals.

When it came time to adjust the settings they told me I would be the operator.

They asked me over the intercom what I saw.

I said, ‘A cow.’

They said, A bull belonging to Genghis Khan?

A bull breathing fire?

A bull pulling a chariot across the sky?

I said, ‘A cow in a barn

watching Sonny and Cher sing The Beat Goes On.’

They said, ‘Adjust the settings.’

I did. They said, ‘Where are you?’

I said, ‘I see Rasputin.’

They said, ‘What is he doing?’

I said, ‘Building a time machine.’