poemimage

The visual & the poetic.

Category: Drawing

I was ‘barely old.’

In 2015, when I did this drawing, I was ‘barely old.

Leonard Cohen already said the more poetic ‘almost young.’

LIttle did I know; ten years later I would have the energy to complete

my most ambitious project:

Part One (of the diptych) discussed here.

Part Two (of the diptych) discussed here.

I hope to complete my 5′ X 70′ diptych in December, January, February?

Getting close to completion but I think I’ll go offline for a while.

I am moving slowly.

After completing the visual art I will develop a fuller rationale for the work.

I will write about inspiration, process, and purpose.

And decide on a final name for the diptych.

Then look at the poetic scraps I jotted down, as they sounded to me, during the

drawing & painting.

Did Not the Fisherman

Did not the fisherman go to the end,

as one fantasizes one might,

in dignity & sacrifice.

Did not the fisherman go to the end

resisting stone pillars transported by iron wheels

echoing a terrible power.

Did not the fisherman steer the vessel,

loaded with mysteriously shaped cargo,

away from the whale & her calf.

Did not the fisherman blow into a prehistoric 

shell, architectural & coagulated,

born of the turbulent ocean.

Born of hunger & loss.

& Did not the fisherman go to the end.

As invisible frequencies ricochet

invading the bones of the innocent.

& Diving into hunger and loss.

& Targeting the spiritual password at the

root & crown of human imagination.

Incandescent golden ink

& iridescent golden ink

become

a lion,

a madwoman,

a forest.

Or a chiaroscuro art film,

as the fisherman kneels, in ashes,

summoning the mystery power.

& Did not the fisherman go to the end.

The muscles in his fearless gold-tinted heart

heave & conceive & receive coded messages.

& The talk show host coughing up a string of unknown words

twisting himself into contortions of vinegary laughter.

& A vintage typewriter blown into the air lands upside down,

in rubble on the hillside, beside a spoon & a shoe.

Did not the fisherman comfort a starving horse buried in rubble & fleas.

Rolling & dragging away the debris.

Did not the fisherman push a ladder to the gardener balancing a bag of seeds.

Obsidian air streaming out a jutting chasm beneath an olive tree.

Pressurized eons blasting out chakras curving the spine of time.

Sunglasses reflect the point of no return.

A jury of citizens request the legal definition of genocide.

A tree, thought lost forever, sending forth green twigs.

& The conception of a child on a starry night beneath ancient lamplight.

& The beginning begins again.

Did not the fisherman go to the end

with a rope between his teeth.

A rope erupting rose thorns.

Did not the fisherman’s gold-tinted heart transmit rays of the rose

with a promise to return.

& The beginning begins again.

When his family opens a heavy door to greet him.

When their eyes meet.

When an atom, silvery-pale as a dandelion puffball,

& embedded with a sacred language,

navigates the round towers of a vanished people,

& the nests of the vanished birds,

& The Great Library of Alexandria.

& A scribe’s brush dipped in golden ink

becomes a divining pure eagle of fire.

& The talk show host coughing up a string of unknown words

twisting himself into contortions of vinegary laughter.

& The engraved markings on a wooden stick

blink a coded message, undulating

a serpentine prophecy.

Curvilinear as a triple spiral

engraved in stone.

Did not the fisherman conjure power by dint of his scent, sweat & blood.

Telegraph poles in formation move in a holographic vapour.

Read the telegram.

Pressurized eons blasting out chakras curving the spine of time.

Read the telegram again.

Did not the fisherman go to the end,

as one fantasizes one might,

in dignity & sacrifice.

You call my name, or something similar, in your sleep or in my dream

You call my name, or something similar, in your sleep or in my dream.

We begin the long march to ecstasy perfumed with oblivion & beads of sweat,

fight lions after binding ourselves back to back with a muscular vine,

& nearly drown during an eclipse.

You call my name, or something similar, in your sleep or in my dream.

The comedy club requires fingerprints pressed to a screen,

same as the eyeglasses store.

We discover a boat within the boat we dig out of sediment.

You call my name, or something similar, in your sleep or in my dream.

We mistake The Code of Hammurabi Avenue for Morse Code Boulevard

& I screw the wrong cap onto the tube of Crazy Glue.

You call my name, or something similar, in your sleep or in my dream.

We discover criminal activity undertaken in broad daylight,

both admitted and denied, by officials with strange eyes,

in the slow drip of cryptic deceit.

You call my name, or something similar, in your sleep or in my dream.

Your voice echoes like Artaud reciting history inside a hollow stone sphinx,

electric lights in the Department of Missing Persons flicker & darken.

Your name on the envelope blows into the wind like a rose petal.

You call my name, or something similar, in your sleep or in my dream.

Newspapers breathlessly report the relationship of nothingness to nothingness,

& emergency measures forbid speaking while purchasing milk or cotton or soap.

You call my name, or something similar, in your sleep or in my dream.

You journey to the asteroid dead in its tracks above a cornfield

& wash smoke out of your hair.

I juggle my shoes & drag a burlap bag of chicken bones

& broken pencils.

You call my name, or something similar, in your sleep or in my dream.

A cluster of oracles attribute your obsession with mirrors to a butterfly

glowing (& menacing) with translucent wings emanating fiery heat.

The ocean heaves pulverized rubies ashore, fine as ash,

to wash & purify children of the mirror.

We learn to walk beneath a translucent sun.

You call my name, or something similar, in your sleep or in my dream.

You kick burning tires down the street in an existential city.

We listen beneath the shaded archway, as hairline cracks develop,

as Hannibal requires his elephant-drivers, courtesans & spies

explain the subtle yet vivid green of pine needles.

You call my name, or something similar, in your sleep or in my dream.

The fast food drive-thru employee ceremoniously hands you clove cigarettes,

chess pieces & thorns in a glass bowl instead of French fries.

You call my name, or something similar, in your sleep or in my dream.

A washing machine shaking violently loosens bolts in the concrete floor.

Van Gogh cannot reach his face & tied to the bed he sobs.

Postage stamps & bathing beauties innocently beguile.

Floppy hats disguise civilizational collapse.

You call my name, or something similar, in your sleep or in my dream.

During the siege of a walled city you discover your name on a secret list,

& the falling moon in a constellation of automobile headlamps signals

the beginning of the one true revolution.

You call my name, or something similar, in your sleep or in my dream.

Nefertiti hypnotizes The Beatles,

a herd of llamas escape,

& blind tourists robbed at gunpoint refuse to laugh it off.

You call my name, or something similar, in your sleep or in my dream.

They parade out the latest deadly cures,

the dancing nurses smash jars of green pickles,

& Mona Lisa announces to the world she is closing the curtain permanently.

You call my name, or something similar, in your sleep or in my dream.

You report a rickshaw collision with angels & the police accuse you of mischief.

A work crew sent by unknown authorities to seal the sacred spring

develops amnesia,

& you have the same dream three times each night. 

You call my name, or something similar, in your sleep or in my dream.

A shaman anoints the tip of your nose with a white paste,

a figure behind a streaked glass windshield adjusts frequencies

aiming a device dead centre on a wasp nest,

& inside the mountain cavern after a day of climbing your stomach feels better.

¥ou call my name, or something similar, in your sleep or in my dream.

Ice cream tastes like karma,

death comes around wearing a fur coat with a giant collar of darker fur,

& everybody looks like Peter O’Toole having a panic attack.

You call my name, or something similar, in your sleep or in my dream.

You continue to gaze at the Encyclopedia of Bare Feet Upon Grass

even as I warn you of dangers in Babylon.

You call my name, or something similar, in your sleep or in my dream.

You write on the chalkboard while sitting on a camel & departing the oasis.

A waterspout of insects shoots up, fractal as stained glass,

escaping a bottomless chalk-lined chamber.

I pilot a butterfly.

You call my name, or something similar, in your sleep or in my dream.

An avalanche of icicles disturbs the tiger’s sleep,

a junkyard dog wearing a suicide vest runs loose in the marshmallow factory,

& black parakeets swooping in dark staircases resemble inky typography.

You call my name, or something similar, in your sleep or in my dream.

A devotee of the Forgotten World Religious Society tumbles bars of soap

into a growling & flashing volcano.

The guardian of the portal sends us on a wild goose chase,

& a painter specializing in ferns claims to be Heironymus Bosch reincarnated.

You call my name, or something similar, in your sleep or in my dream.

The scientist wearing a stethascope & white coat nursing the anvil

with a baby bottle

repeats your name and assigns you a number.

Original image. Gouache & water-soluble graphite on paper, 2021.

Variations digitally created in Photoshop, 2024.

falling & falling & falling & flying looks like falling

The authorities & Mythical Zeus (a prose poem)

The authorities said we have your fingerprints.

Mythical Zeus said I am certain this is impossible.

The authorities said beyond any shadow of a doubt.

Mythical Zeus said I have no memory of being here.

The authorities said you have been here thousands of times.

Mythical Zeus, in flux like a wavery obsidian shadow, said I am certain this is impossible.

The authorities said we constantly retrieve your fingerprints, alongside other evidence.

Mythical Zeus said perhaps I know this location by another name.

The authorities said possibly you have forgotten, an easy mistake to make.

Mythical Zeus said why do you – how strange – you would speak to me of memory.

The authorities said possibly you have have been deceived.

Mythical Zeus said why do you – how strange – I am not aware of mistakes or deception.

The authorities said we can be of great assistance with this – with you – with clearing your name…

Mythical Zeus said I am on a search-party mission to rename & reactivate thought-forms previously declared abandoned & lost. And I am not lost.

The authorities, concurring, said we wish to save you from your illness.

Mythical Zeus said I am not aware of any illness.

The authorities, concurring, said please sign the form giving consent.

Mythical Zeus said what will be done based on my signature if I sign.

The authorities said whatever we deem consequently necessary to deactivate the current situation.

Mythical Zeus took a deep breath, diving like Johnny Weissmuller into the multidimensional ocean, on his search-party mission to realign & reassign thought-forms previously declared abandoned & lost. Alone, he did not feel abandoned.

The last line of the poem places the images in context. A figure in motion as if underwater in a multidimensional ocean. A figure suspended like an angel above a medieval landscape, swimming through the air.

Night Falls (when you least expect it) 1 & 2

Night Falls (when you least expect it) 1
Night Falls (when you least expect it) 2

The Pen & the Plan: @ 50% Complete

I am now 50% complete working on the B&W roll of 5′ X 33-35′ paper. When I complete this second roll of paper I will have a diptych. I considered a triptych but talked myself out of it.

Brushwork with inks & gouache + drawing with water-soluble graphite pencils create different blacks and different whites in contrast.

I repeat & develop two images that begin the first blue roll of paper. The moon-ish figure and the dna figure (below) & seen above.

https://poemimage.com/2023/05/01/druidica-blue-deja-vu-cave-art-for-the-new-psyche/

A fountain springs from ‘bird-human’s’ hand and at the same time is a swan’s neck.

Within the fountain or swan’s neck a series of images depict a beast ‘vomiting’ a seed which shoots into the earth (mound), takes root and rises.

The green bit of tape shows the 17′ mark. Animal shapes and double faces. A joker or fool. Figures in the mound. ‘Watery spray’ opening into what comes next…

Being 50% complete with this roll of paper equals being 50% through completing a triptych. The plan is for visual poetry on the third roll of paper. The challenge now, in completing the second roll of paper, is to move away from intricate detail.

The idea is to keep track of my hours (with the pen & the book) after each day’s effort.

I’ve organized (with high-tech paper clips) the rough sketches and ideas to complete the second roll of paper. I don’t know yet how I’ll use these ideas – deliberately composing or spontaneously expressing.

Previously in progress:

Beginning where I left off @ 25% with this face & beginning to elaborate.

Ceremonial crown inspired by the European deer-god idea Cernunnos. Antlers look branch-like as well.

Check out the previous work on this B&W roll of paper (and the blue roll of paper preceding it) @ https://poemimage.com/2024/01/25/the-pen-the-book-the-plan/

Building the figure & relationships between figures:

the flowers

In neon mystery the flowers explode.

In singularity the flowers explode.

The pen – the book – the plan.

So far in January I have used the pen & the book to keep track of the hours I put into my current B&W work – on a long roll of Fabriano mid-weight paper.

3rd section

Working on the floor like an iguana I am almost 1/3rd through the roll of paper working with black & white gouache, B&W ink, water-soluble graphite pencils, and drawing pens.

4th section almost complete

At first I thought this might be Boudicea, Queen of the Icenis. I considered developing a metaphor based on her famed history & Celtic roots. Then I started thinking ‘more of a shapeshifter than Boudicea.’ My main impetus is not to illustrate an idea or theme but to watch images (in relationship) develop organically and interpret the meaning. Some images are planned and some are spontaneous.

Detail 4th section
Detail 3rd section
The pen and the book to keep track of the plan. Writing hours worked after they are done.

I will shift into a different ‘feeling’ of depiction soon. Around the 1/3rd mark.

1st section
2nd section – my phone camera is disappointing.

This work will mirror (in part) & dovetail with my previous subject matter on the ‘long blue roll’ of Fabriano mid-weight paper (same height and length).

S. McCabe, Druidica Blue: Deja Vu (Cave Art of the New Psyche) 2022, 5’H X 35’L
Detail 2nd section
Detail 2nd section

So it seems I will have a two-part work on two rolls of paper.

Detail 2nd section

Now it seems the plan is for the work to become a diptych. I think this fits the criteria for a diptych.

Detail between sections 1 & 2

My goal is to reintroduce images from the ‘original’ (first) ‘mostly blues’ roll of paper into the B&W (second) roll of paper and develop the themes manifesting my investigations over the last few years.

S. McCabe, Druidica Blue: Deja Vu (Cave Art of the New Psyche) 2022, 5’H X 35’L
Detail

My plan will take a few months longer as I complete part two of this two-part work (a mere 2/3rds of the current roll of paper to complete).

Detail

Info about the overall project:

In 2022 I completed a long painting/drawing on Italian mid-weight paper titled ‘Druidica Blue: Deja Vu (Cave Art of the New Psyche).

Section 7 (of 11) from the 5′ X 35′ work:

In 2023 I began working on a long roll of paper using B&W in painting/drawing. I posted about beginning this:

A detail of the B&W work in progress with the working title: ‘On the Day Boudicea Rode at Midnight.’

Detail 1st section

I Found My Round Boat Hidden in the Rushes

Images tumble into each other like loaves of bread or stones or clouds.

Shrouded with fragrance and translucent vibrations, drawing birds near.

We reimagine memories splashing in the dark.

As the days shorten we create stories to explain reasons and purposes.

I borrowed some images from my ‘long blue painting’ to reconfigure in Photoshop.

My 2022 35′ X 5′ long blue painting (on a roll of Italian mid-weight paper) shown & described in a previous posting: https://poemimage.com/category/x-steven-mccabe-mostly-working-in-silence/

I photographed this work titled Druidica Blue: Deja Vu (Cave Art for the New Psyche) in sections on the floor. Below is the final section (of eleven).