poemimage

Where text meets image. Where the visual intersects the literary. Often posting 1st drafts and editing in (almost) real time.

Category: Original art + digital art

Ovid

I  gaze upon her at the walk-in clinic

only the two of us

she carries a brilliant white bowl made of clay

her name scratched into the white glaze

I said haven’t I met you before

she said a long time ago

in the library at Alexandria

I said why are you here

she said the people who started the fire

arrested me for reading Ovid

they sentenced me to life without honey

I said what is the bowl for she didn’t speak

I thought my conversation bothersome

& fell quiet

she said I read Ovid at the speed of light

I said like a honeybee

she said honeybees are slower than the speed of light

I snap my fingers like a jazz musician 

You got it!

Honeybees are slower than the speed of light!

She said it might be the title of a brilliant love poem

about snails

I said two snails conceptually in love

she said you have to become healthy

I said what’s wrong with me

she said consider velocity

consider clay pots breathing in a cave

unfurling billowing sail-skins of air

unfurling billowing sail-skins of sunshine

the Dead Sea Scrolls

rolled and telepathic

secretly rescued in the fire 

she winks one eye

I snap my fingers

she said Im not saying anything

a voice calls her number

two snails conceptually move about in the sunshine

wrapped in honey-coloured sail-skins billowing

unfurling honey-coloured sail-skins often

I am healthy often

the people who start the fire sentence her to honey found secretly on cliff-sides

I walk in circles upon the rounded peak of a vertical mound 

chosen because it has no shade trees

I am healthy often eating honey

the brilliant afternoon drenched in honey-coloured telepathic heat

swirling like butter from the ancient cows

a deer pushes his nose into the brilliant white pages 

I read Ovid listening to a brilliant buzzing sound.

It could have been

In Neon Mystery, in Singularity, the Flowers Explode

Last night I walked home at eleven. Dark and cool. The streets and cafes were busy – lots of children.

Turning left, then right, I skirted the park. On my street I was startled by a sudden voice behind a large bush. A woman was photographing earwigs (feeding?) in the centres of daisies.

I’m taking care of two cats and one decided to make noise at 4:45 am to let me know she expected to be fed. I lay there trying to sleep and heard the phrase ‘in singularity the flowers explode.’ I thought it needed something so added ‘in neon mystery.’

A Sailor in Hamburg (1&2)

The quiet sailor watches the Beatles play in the Kaiserkeller bar in 1960.

He listens to a song in time out of sync

composed for the Abbey Road album

in 1969.

A song born for the future –

silently asleep

in the silence of crystal stars.

He listens above the open sea

climbing a ladder made of coal

rising from the depths –

dreaming itself

into a structure

aimed into the obsidian sky.

Like a Bird’s Crazy Beak in a Silly Cartoon

Shapes animated like a bird’s crazy beak in a silly cartoon

remind me of a seagull

blabbering at somebody, somebody who? maybe… Daffy Duck!

He comes to mind for a not complicated reason.

For some reason (in whatever year since 2014 it was) I made this GIF using the book cover.

The gold & ochre jungle leaves remind me of a B&W Humphrey Bogart movie.

In real life Humphrey Bogart was gold & ochre though some say more of a pleasing technicolour.

In real life the book is B&W & printed on cream-coloured paper.

I stand in line at the (big box) grocery store behind a guy with trees printed on his sky blue arm.

Something is in progress in the centre of the store

if the centre of the store is even there anymore.

The numbers on my receipt (dancing a Latin dance)

signify symmetry and imbalance

simultaneously, as if an omen, as if

smoke rising from an oil lamp, as if

in flight through my psyche still there

or following a jagged shoreline

to a river, thrashing in the centre of the store

if the centre of the store is even there anymore

if the river, voluminous as thunder & thrashing

hypnotized is even there anymore.

Linocut Print (of an apple) in ‘Nevermore Together’ by Steven McCabe

Harrison Street (3 GIFs)

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A summer art project: Sculpture, ‘The Cosmos’ created with youth. You are seeing half of the sculpture. Plaster gauze, rope, acrylic paint. Also balloons. I don’t know why exactly I superimposed this image over a photograph of Harrison Street. Perhaps curvilinear shapes address time. Or the shapes are somehow ancestral. Perhaps such ‘continual vegetal designs’ balance the angularity of buildings while adding human dimensions of roundness and multi-dimensionality. I don’t know. It just seemed the thing to do.

The String Tied To Your Finger

I remembered night.

How the night air felt sacred

like a string tied to my finger

reminding me

to breathe night

in the fragrance of crushed black flowers,

in the fragrance of sacred flowers.

Desire

Byzantium

Silk

Damascus

Oasis

Zero

Echoes

Kerala

Comet

Apparation

Turkish Coffee

Palm Reader

Electric Fan

Papyrus

Flood

Goya

Night Falls

You paint your eyes with infinity

I am becoming a tree

The age difference visible for all to see.

Finite wood struggles in the human heart

Radiating rings enclose the wooden heart

Flowers of infinity bloom

Night falls as it must.

You paint your eyes with springtime at midnight beneath the radiating moon

Flowers of infinity bloom.

I aim for the centre of the human heart

For I am now a tree

For now I am a tree

The age difference visible for all to see.