I have seen the greatest minds of my generation riding vacuum cleaners in the sky above Syria. George Washington’s wooden occult teeth clitter clatter in the rubble filled streets. General Sherman’s occult army empties another town on his flaming march to the sea.
Jet-diving vacuum roar sucks up intricate silver jewelry dropped upon/ into the embroidered rug. Loot! Booty! This should be worth something! Dropping beside/ into delicately curved brass dishes of fragrant food flavoured with aromatic spices. A wedding photograph framed within the ancient yew.
Great-grandmother’s sacred water-well dripping twisted rags in Springtime. Pawn shop lights blinking. Pawns on the azure-tiled cafe floor tipped beneath an abandoned chessboard. Dripping ruptured pipes drip, once it was every minute, rusted, caustic water drops staining the almost (e8=Q). Staining the almost.
See the fleet footed family fly beneath gleaming sedan billboards into the shade shadow of a brighter tomorrow. See the family scurry hurry parallel rust-flaked punctured pipes into the caustic, occult ceiling of a brighter tomorrow. A gleaming tomorrow/ flee flee Washington’s wanton wooden teeth.
Swing low sweet chariot with minus reflective surface. Aim from the plastic-wrapped heart in the gleaming plastic bowl in the chilled gleaming refrigerator darkened by a dead bulb.
Luther Blissett is a mythical figure in contemporary European art history. He works on multiple media platforms cross-referencing a multiplicity of artistic disciplines concerning identity, the body, society and the psyche.