poemimage

The visual & the poetic.

Category: Drawing

An erasure poem created from ‘The Last of the Knights Templar. A Poem, With historical notes.’ by Thomas Billington (1866)

a.1.

Memory scorns the hand

In sweet response to heaven

19. city

6.Amber Curtains

Fame outlives

Mighty hearts

Earth and sea obey

8. y

The blood of many a son

Tarnished in liberty

Fade 1

12. Moon Over Knight2

An offended sky

Hoarsely sung,

Shadows wear the crowns

15. Taken Aback

The conquering sons of

Neptune’s vaunted eye,

His dinted blade

5. Johnny Appleseed25 linenFade 2

The echoes sing,

Your faith of obedience

Like snow flakes

11. Moon Over Knight9 Pale Grey

Comets of heaven

March on to glory,

No tongue shall number

A calm blue ocean

10. Now This

The glorious dead

Came upon the sea

Omen’d

2. a.13. Swirl

The tide of that deep abyss

Struck by the Templars’ sword

Fade 2

Each vaunted knight

An inspiring heaven

cobra18. See?

One vast clay sun

Now morning emerald

Detail 8f15. Taken Aback25 linen

Enchantment’s radiant form

In desolation’s train –

Her last revenge

7. Turquoise Wall

The cherished isle of steel

A soldier’s bed –

 Paradise

Goes terribly forth

17. Your Arrival Changes Everything

25 Blurred Reality

The black herald of sorrow

Reeking in dying cadence

16. Statement

Linger on the carnival

16. Statement7. Turquoise Wall

Look on the headless brothers

Your work of hate

Maddening

Detail 2f

A whirlwind’s Autumn on helmets clashing

Deaden the pangs of a soldier’s doom

19. city15. Taken Aback

Onward Templars press

A frenzied rite

On condor’s wing a cold embrace

Fade 1

ribbon

Thunder blackening the lament

A winding sheet

Like seafroth

6.Amber Curtains

His swollen veins darkening

Hail our Queen!

6.Amber Curtains

The edge upon our lips

Mockeries

Wading in a fiery grave

20 Blue Knight

Each convent bell

Joy

No seabird to warn the boatman

5. Johnny Appleseed

A fairy thing –

The whiteness of her sail

Raptures your lonely shore

new branch

Detail 1f

Whispery the void

 Nature a weary scene

Not a sigh escaped

25 Blurred Reality

20 Blue Knight

Laugh of vacancy

Babylon’s lustful day

Detail 5f

The night grown weary

All was still

Fade 9

The chains savage

24 Gleam

The (original) 56 page poem is a retelling of history & loaded with glorification of battle & cultural/religious point of view, details of woe and foe, and the ecstasy of triumphs. It’s really quite the technicolour blockbuster epic. Followed by almost 30 pages of historical text. I found it when I was looking for a connection between the Knights Templar and limestone (believe it or not). Two things happened simultaneously: I was skimming an old Canadian educational book called ‘Pioneer Arts and Crafts’ written by Edwin G. Guillet, M.A. (dedicated to Marguerite Guillet Brooks – Designer, Thread Workers Guild of America) and reading a fascinating section about ‘Lime – Burning.’  At the same time I had a digital image, rather ‘knight-ish,’ which I wanted to use with a poem. I began to imagine Marguerite sewing silk tassels for a knight’s helmet. And somehow, well, it all came together. My ‘erasing’ was done fairly quickly, like snapshots, grabbing a few impressions.

A Visual Poem by Steven McCabe

visual poem 1 Read the rest of this entry »

Library by Steven McCabe

book2

A skin of tree species

no longer

existing

Soon by Steven McCabe

soon

Soon I will

Have a new muse

That is all

Of my news

soon detail

© Steven McCabe 2013 — For some reason writing this little poem has given me a new approach as I develop material for new manuscript.

The World Screened by John Oughton

4

The world through your window

is screened into rows of tiny cubes 

new 61

that means we can remake

the world by shifting them

11

a pure pane of sky shines

from the pine’s arthritic roots

new c

the library is strewn along the walk

which itself winds over

2

branches, bedrooms. Shadows of things start

elsewhere and cross where they might be cloud

new w

the pedestrian’s two left eyes

regard the sun strolling on her leash

15

as they move cube by cube over the clear blue lawn

her heart is (not is like) a bird

xzx

The World Screened was previously published in Time Slip (Guernica Editions, 2010). John Oughton is a Toronto poet with five books published, and a professor at Centennial College.

rrrrrI wanted to capture the sense of real/unreal within this poem’s surrealism. The piano motif relates to background music, or a composition, in which the poem seems to move… I juxtaposed pictorial elements playing off the poem’s (in part) bright, Miro-like mood as well as the more subtly expressed romantic, melancholy yearnings.

Symbolic Romance: A Gustave Moreau Painting or Odilon Redon Lithograph by Steven McCabe

image

Information is a jewel encrusted codpiece

Worn by a eunuch on his death bed

a watery face

In the hands of the wrong person revealing everything

In the hands of the right person revealing impotence

3

The wheels roll and plants grow

A man and a woman approach one another

4

her 2

Diamonds nick a valve in my heart and I wake to find you

Dressing me with misinformation

7

texture

from my collection Jawbone (Ekstasis Editions, 2005)

Of by Steven McCabe

aa

As if the drip of machinery oil

And of knowledge of musculature

Were enough

In the search of room after room

Coinciding with the rediscovery of sculpture

Coinciding with the sculpture of rediscovery.

bb

Originally published in my collection Jawbone (Ekstasis Editions, 2005)

K.C. by Steven McCabe

boy and space 2

boy in space

Seeing the unseen between my eyes and outer space

new eye space

I was a boy painting my sparkling new bicycle

With house paint

now this

Squinting in the shade of a sunflower

Wiping soil and lumps of melted star off the brush

the sumerian flower

Aiming for that white-as-a-skeleton-invisible-sky-hourglass

Concept of two gods becoming one

sumerian lad

Me and my bicycle at the intersection –

Red lights fading my pupils dilated

triptych 2eye seven

from Jawbone – Ekstasis Editions – 2005

When I was a boy in Kansas City, one summer, I studied the sky. It was a dull white far off in the distance, and yet up close ‘it’ was invisible. So it dawned on me to paint my new bicycle white; up close the bicycle would be invisible, at a distance everything would seem normal. My mother was more than happy to keep me busy and found the paint and a couple of large brushes. I threw myself into the task, painting the seat, the chain, the handlebars…everything! Sadly the next day the paint flaked off and my experiment failed. Several decades later I was reading a creation myth about two gods battling in the sky. One god lost a foot to a sharp knife and black ‘blood’ (night of course) filled the sky. I remembered painting the bicycle, and decided to harmonize both ‘sky’ narratives, intertwining them in a poem. My editor reviewed my work and, being a minimalist, took out her pen; underlining, crossing out, and circling lines. In the end I had a nine line poem.

constance by Joanne Arnott

constance new

when i was pregnant, she told me

reaching back more than twenty years

for the memory

constance f

constance k

i put sunflower seeds on my belly

i used to read aloud to my son

so he could hear our bones

constance j

i love our voices, she said

constance b

chickadee & sparrow flutter down

lured by the seeds and undisturbed

by our voices

Untitled-2

i put your hand on my belly

i invite you to read this aloud

i want to listen to our bones

cons

& to love our voices, for a little while

glade

final hand

Joanne Arnott is a Metis poet living on Canada’s west coast.