in the streets beneath the ocean
on her coral chair
the fishes whisper secrets
beneath her seaweed hair
she’s got a tumour in her head
that’s a glowing pearl
she’s a strange strange strange
underwater girl
in the streets beneath the ocean
she combs her seaweed hair
the dolphins bring her children
that have drowned down there
and she makes them coats from sailors’ skin
gives them gold from sailors’ teeth
taken from the sunken ships
wrecked upon the reef
I caught her in a dream one time
or maybe she caught me
took me from my sleeping brain
into the deepest sea
gave me seven kisses
and seven cups of wine
promised me promised me
that she’d be mine
The world through your window
is screened into rows of tiny cubes
that means we can remake
the world by shifting them
a pure pane of sky shines
from the pine’s arthritic roots
the library is strewn along the walk
which itself winds over
branches, bedrooms. Shadows of things start
elsewhere and cross where they might be cloud
the pedestrian’s two left eyes
regard the sun strolling on her leash
as they move cube by cube over the clear blue lawn
her heart is (not is like) a bird
The World Screened was previously published in Time Slip (Guernica Editions, 2010). John Oughton is a Toronto poet with five books published, and a professor at Centennial College.
I wanted to capture the sense of real/unreal within this poem’s surrealism. The piano motif relates to background music, or a composition, in which the poem seems to move… I juxtaposed pictorial elements playing off the poem’s (in part) bright, Miro-like mood as well as the more subtly expressed romantic, melancholy yearnings.