poemimage

The visual & the poetic.

Tag: Gaza

Think of Others by Mahmoud Darwish

As you prepare your breakfast, think of others
   (do not forget the pigeon’s food).
As you conduct your wars, think of others
   (do not forget those who seek peace).
As you pay your water bill, think of others
   (those who are nursed by clouds).
As you return home, to your home, think of others
   (do not forget the people of the camps).
As you sleep and count the stars, think of others
   (those who have nowhere to sleep).
As you liberate yourself in metaphor, think of others
   (those who have lost the right to speak).
As you think of others far away, think of yourself
   (say: If only I were a candle in the dark).

Mahmoud Darwish (1941-2008) was an award-winning Palestinian author and poet.

Think of Others by Mahmoud Darwish, from Almond Blossoms and Beyond. Translated from the original Arabic by Mohammed Shaheen. © Interlink Books, 2010.

1936 Franz Krausz

The original intent of the iconic 1936 Franz Krausz poster was to promote tourism to the land that was only redesignated as “Israel” in 1948. A 1995 reprint by Israeli artist David Tartakover has been immensely popular among Palestinians, internationals, and, to some degree, Israelis. “Visit Palestine” has generated so many remixes that it has become a subgenre of posters unto itself. (For more on the iconographic history of this poster, read “‘Visit Palestine’: A Brief Study of Palestine Posters” by Rochelle Davis and Dan Walsh; a gallery of remixes is available at the Palestine Poster Project Archives).

from https://mondoweiss.net

war

I wanted to say something and ‘borrowed’ more powerful work than my own to do so.

I wanted to say something about what is happening to the bodies & minds of children, to brothers & sisters, to young people, to mothers & fathers, to grandmothers & grandfathers in Gaza, Palestine. To their pets, homes, and possessions: their photographs, clothing, toys. To their health and their future.

“I have told my sons that they are not under any circumstances to take part in massacres, and that the news of massacres of enemies is not to fill them with satisfaction or glee.

“I have also told them not to work for companies which make massacre machinery, and to express contempt for people who think they need machinery like that.” 

— Kurt Vonnegut, Slaughterhouse-Five, Or The Children’s Crusade : A Duty-dance with Death (1969)

The Mothers, 1921-2, Kathe Kollwitz 1867-1945. http://www.tate.org.uk/art/work/P82464

Follow the Tate link to find out more about the Kathe Kollwitz series of woodcuts titled War.

Like many, I am familiar with Kathe Kollwitz’s great skill and mastery in emotional imagery addressing war. She lost one of her two sons to WW1. She lost her grandson to WW2.

Like many, I have read Slaughterhouse-Five by Kurt Vonnegut, a great writer and literary artist who as a prisoner of war (in WW2) experienced the firebombing of Dresden, Germany.

I do not claim copyright to the work of Kathe Kollwitz and use it for non-commercial purposes of education & commentary.

A Sequential Meditation, Concerning Two Images, With Variations

meditation 25

meditation 14

meditation 15

meditation 16

meditation 18

meditation 28

Meditation 11 copy

meditation 25

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The photograph of the Palestinian girl climbing over the rubble collecting her books was uncredited. The photographer of Martin Luther King is unknown to me. I do not own the rights to the original images. I have created new works for purposes of juxtaposition and commentary under fair use provisions.

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the empty cafe(s)

this collaged image

The lovesick man

although looking inward

is watching modern warplanes roar past.

Perhaps aiming for the cities and civilians

of Gaza,

Guernica,

Wounded Knee,

Nagasaki…

grosz world war one battlefieldblind willie mctell

Nobody

can sing the blues

like

Blind Willie McTell

creviceblind willie mctella flash

Nobody 

can sing the blues

like

Blind Willie McTell

let there be light

http://www.youtube.com/watch?v=a1ewJYxT0ZQ

Digital collage: Details from Picasso’s ‘Guernica’ have been superimposed over photographs of rubble in Guernica and Gaza. The face of radical pacifist Martin Luther King Jr. is layered within a painting by antiwar artist George Grosz titled ‘The Lovesick Man’ (1916). Battlefield terrain from World War One frames the George Grosz painting.

“Nobody can sing the blues like Blind Willie McTell...” from the Bob Dylan song Blind Willie McTell. 

The copyright of original images remains with the holders of same. Under fair use provisions I have composed new work for non-commercial purposes and commentary.

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