This is the Scene

This is the scene
where I follow the animal
into the forest.

This could be a bird.

A Cubist experiments
with wind
and Morse Code.

This is the scene
where I follow the animal
into the forest.

This could be a bird.

A Cubist experiments
with wind
and Morse Code.

Have you forgotten how we listened

to what was not being said.

The sun and the night both shining in Autumn.

Shining upon what is concealed

& beneath the crossroads,

a deeply buried wind

streaming through the empty house.

Dedicated to my (late) brother Larry, whose birthday is 2/22, who cried over his black fish floating belly up, who slipped climbing the crabapple tree & gashed his belly open with a nail. We passed through the cage of black & white TV broadcasting one Friday late into the night and throughout the weekend until a funeral on Monday.

My video poem concerning this event: https://vimeo.com/11304739


I think I found the spiral Xray online a couple of years ago. Of course , neither am I claiming any copyright credit for the photographs of J.F.K.’s funeral. A detail from a still photo of a performer riding a horse in my video poem is also in the mix. I will take some credit for that.

I’m in the
laundromat
because my dryer broke
and this radio is too loud
and every song sounds insincere –
finally Annie Lennox and
the Eurythmics are singing
Talk to Me.
I wonder when I’ll ever
get around to reading
Ulysses.
The radiator is painted
an almost indescribable
shade of turquoise.
Lively but dead serious –
mechanical.
The top of each rib protrudes
thin, flat and sharp.
I can imagine these edges
pressing into my face
after they arrest me in the
grand sweep.
Harnesses and 19th century
contraptions hoisting the radiator
above prisoners strapped to beds.
Thirty full seconds for each
inmate.
What if they decide to heat them?
Loud sirens nearby.
A city wind blowing
through the open door.
A guy reading a
book asks me
if I smell
cigarette smoke.
“No.”
The world through your window
is screened into rows of tiny cubes
that means we can remake
the world by shifting them
a pure pane of sky shines
from the pine’s arthritic roots
the library is strewn along the walk
which itself winds over
branches, bedrooms. Shadows of things start
elsewhere and cross where they might be cloud
the pedestrian’s two left eyes
regard the sun strolling on her leash
as they move cube by cube over the clear blue lawn
her heart is (not is like) a bird
The World Screened was previously published in Time Slip (Guernica Editions, 2010). John Oughton is a Toronto poet with five books published, and a professor at Centennial College.
I wanted to capture the sense of real/unreal within this poem’s surrealism. The piano motif relates to background music, or a composition, in which the poem seems to move… I juxtaposed pictorial elements playing off the poem’s (in part) bright, Miro-like mood as well as the more subtly expressed romantic, melancholy yearnings.