poemimage

The visual & the poetic.

Category: Ink drawings

wordless

a soloa nightwhen the night comes fallingstereoedball*

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Crown Island by Catherine Graham

crown island 1
I am surrounded by Crown Island,

a weave of rock and sand; the waves

lap against me, sizzling white strings.

crown island aa Read the rest of this entry »

Brume by Cristina Castello (translation Pierre L’Abbe)

and alwaysthe calling twoo

 The planet is a little outraged girl

With its days without dolls and its eyes without pupils

Her bundle awaits on a strange train platform

Next to millions of sadnesses without reply

A train that will carry to the tomb her gloveless heart

depth organnand seafaceand and french tunnel

A plucked nib on my chest, this is the world

Stone hole, empty gap

All the chalices converge on my blood

I am a fountain positioned to offer

But the wound passes through the mouth of the poem

Abandonment resists the sky

And rattles the soul of the earth.

Or perhaps, is God dead?

All abandoned

Abandoned

and textured doubleand old gold

Why do they, my eyes, look at them inside?

And why do they inside these beings look at my eyes?

No one but the Absolute answers.

Crystal and steel I am, but everyone sees the sword

And no one could imagine my crystals in shards

and cool depthsand alabasterand another sphere

I will resist in an armour of poetry

I will resist swinging from the murmur of the stars

I will resist perched on the peek of a blade of grass

Attached to this moon of snow sailing through the mists

Who stare at me from the branch of the tree, that they cradle.

I can still open my hands to Those about me

village woman xx

I will not die without seeing that in the bundle Christ sings

I will not die before the compass foretells an epiphany.

and loyoroand overlap

Cristina Castello is an Argentinian poet and journalist now living in France. Her work is committed to peace and beauty against all social injustices. Her poems are always a commitment to the dignity of life, beauty and freedom. They have been translated into several languages. Her books include, Soif, (L’Harmattan 2004); Orage, (Bod 2009),Ombre (Trames 2010) and “Le chant des sirènes” / “El canto de las sirenas” (Chemins de plume, 2012).

and where you are

Pierre L’Abbe is a Toronto translator, publisher, ebook designer and author of both poetry and short story collections.

and full scaleand thumbprint

Deep Sea Diving

c-blakes-ocean

 Blake’s ocean

A gas station

Black medicine

In a vial

You said I thought I was Jesus

deep sea divedeep sea detail b

You said I thought I was Jesus

In exile

We handled snakes

I was yours truly

deep sea divedeep sea detail c

I was yours truly

I swallowed a shot of ink

We faded

deep sea divenee
We faded

Vibrantly

In retrospect we were children

deep sea divedeep sea detail e

In retrospect we were children

At the carnival

Deep sea diving

thenomatic

Lao Tzu: On Love

blonde

Being deeply loved by someone

gives you strength

once

while loving someone deeply

gives you courage.

1

You left when I told you I was curious, 
I never said that I was brave

 So Long, Marianne, Leonard Cohen

could

Spherical

book of mirrors

Curving a slow corner

twin eyes

You pass through

your own

history

papery

Your mirror image

original spiral ink

Picking up speed

flattoo

Speaking in code

face 3

ghost crest

 Spirit animals

beneath the northern lights

drag what has fallen

meter bird spirits

Absorbed

and flung

simultaneously

metered

A spherical puzzle

delivered you

bd

Does the wind agree

sky pieced

new bird meter

***

I was reflecting on personal things with this post. Changes, new directions, letting the past go, that sort of thing. There was no poem to begin with simply ideas & words I’ve been thinking about.

***

My attraction to twinning these two images was in discovering similar design motifs. A centre circular repetition. The lines on the sides of the meter resembling folded wings. The art deco, industrial perfect for a prison design of the meter contrasted with the wild bird hemmed in by a border & religious orthodoxy.

Although I suspect the early illuminators of manuscripts had druidic sensibilities and conveyed within their images the beauty of pagan relationships with the earth I can’t find anything similar to say about the parking meter. Although it does have a certain Dracula’s Castle type charm.

The parking meter imposed order upon free space. We might even say ‘wild’ spaces occurring in a common setting if we want to draw an analogy with pagan spirituality being ‘tamed.’

***

The first parking meter in the United States was installed in 1935

(during the Great Depression & dust storms)

in Oklahoma City.

***

The Book of Dimma is an 8th century Irish illuminated manuscript now

housed in Trinity College, Dublin

featuring the symbol of an eagle

representing

John the Evangelist.

***

Row Back by Michael Gallagher

burma new

Petulant sun quarrels with crabbed sky

sky lyre

It probes, prods, sneaks

Through gaps in broken cloud,

stele new

Catches the crests of waves that roll

In deep swells across the estuary.

anewnettingfire faceinkwith

Gales lash the craggy headland

Pummel long-stemmed grass into submission;

tension

Rain shards pierce weathered faces

While wrens search out the whin’s snug core.

new Egypty

It is midsummer’s day and Nature rages:

Brother Man, row back, row back,

Our world is not, is not, yours to destroy.

harbourfinnif

Mike Gallagher lives in splendid isolation in Lyreacrompane, County Kerry, Ireland. His collection ‘Stick on Stone’ is published by Revival Press.

peaking

One Stanza from the Poem Arcadia by Sir Philip Sydney (1554-1586)

sir three

For she, whose parts maintainde a perfect musique,

Whose beautie shin’de more then the blushing morning,

Who much did passe in state the stately mountaines,

in straightnes past the Cedars of the forrests,

Hath cast me wretch into eternall evening,

By taking her two Sunnes from these dark vallies.

sir sir

Or to approach this romantic doldrum from another angle:

Hath cast me into a perfect musique…

new or

Your Love Should Never Be Offered… by Hafiz

final sketch two Hspacer 1spacer 1spacer 1

Your love
Should never be offered to the mouth of a stranger,

iced in H

Only to someone who has the valor and daring
To cut pieces of their soul off with a knife

final sketch two Hspacer 1spacer 1spacer 1
Then weave them into a blanket
To protect you.

iced in H

Hafiz (or Hafez) a Persian poet: 1325 – 1390.

I find the vivid imagery in his poem, in a sense, circular.

Which explains my use of repeated images.

While addressing his echo across the centuries.

dimly copyspacer 1spacer 1spacer 1dimly copy

Theory

finally wthis is true w

Physics again standing on its head

Physicists discovering an upside – down world

perhaps this wshe was w

The elementary particles comprising stars can leap

It seems

Across time (if there really is time) reappearing

And appearing in numerous locations at once

new star

The simultaneous stars stretching across infinity

Are one and the same

Projections of one star

multicoloured wfaded w

One star only we see here and there

As if altering as if shadowing our days and years

With a spectacularly aloof performance

deer what w

Like the lover

You just can’t forget

her face wbyzantinian

Previously published in my fourth book of poetry Hierarchy of Loss (Ekstasis Editions 2007)

and ink sketch

 Digital art based on an ink sketch in my moleskin sketchbook.

traces