poemimage

The visual & the poetic.

Category: Poetry

Beneath the Gaze of Spiritual Machinery

History will not tell you this but I was there

a gnarly oak branch growing out my back 

animals conceal buried acorns

Julius Caesar ignites his clothing

Jesus Christ recites the Brehon Laws of ancient Ireland

Mary Magdalene instructs me to bring my own basket

typewriters made of ice float in the sea

poets climb staircases carved into ice mountains

your neighbour conceals snakeskin sheathing his heart

the guardians of upper eternity affix their shadows

maps made of powdered sugar swirl into the wind

I forget the knotted scarf

I forget to die

I wash lead cisterns

my eyelids purple with prophetic script

beneath the gaze of spiritual machinery

I said take me with you.

Spiritual Machinery, digital drawing, S. McCabe

Ovid

I  gaze upon her at the walk-in clinic

only the two of us

she carries a brilliant white bowl made of clay

her name scratched into the white glaze

I said haven’t I met you before

she said a long time ago

in the library at Alexandria

I said why are you here

she said the people who started the fire

arrested me for reading Ovid

they sentenced me to life without honey

I said what is the bowl for she didn’t speak

I thought my conversation bothersome

& fell quiet

she said I read Ovid at the speed of light

I said like a honeybee

she said honeybees are slower than the speed of light

I snap my fingers like a jazz musician 

You got it!

Honeybees are slower than the speed of light!

She said it might be the title of a brilliant love poem

about snails

I said two snails conceptually in love

she said you have to become healthy

I said what’s wrong with me

she said consider velocity

consider clay pots breathing in a cave

unfurling billowing sail-skins of air

unfurling billowing sail-skins of sunshine

the Dead Sea Scrolls

rolled and telepathic

secretly rescued in the fire 

she winks one eye

I snap my fingers

she said Im not saying anything

a voice calls her number

two snails conceptually move about in the sunshine

wrapped in honey-coloured sail-skins billowing

unfurling honey-coloured sail-skins often

I am healthy often

the people who start the fire sentence her to honey found secretly on cliff-sides

I walk in circles upon the rounded peak of a vertical mound 

chosen because it has no shade trees

I am healthy often eating honey

the brilliant afternoon drenched in honey-coloured telepathic heat

swirling like butter from the ancient cows

a deer pushes his nose into the brilliant white pages 

I read Ovid listening to a brilliant buzzing sound.

It is Not a Willow Green but Empty

It is not a willow green but empty cascading

the lady

pausing to catch her breath

pulls aside her buggy bulging with groceries

so I can pass chest deep in freezing waters

wearing a necklace of antelope teeth.

photo S. Mccabe, Toronto

It is not a willow green but empty crouched like guardian stalactites

the lady said we all make one big mistake

look at me now

I cannot walk to the store

mountains of ice destroy the great cities.

Willow beside the Ashbridge Estate

It is not a willow green but empty burning like a sacred candle nine minutes north

I brush my hand against green leaves

on the less-dignified bush mere shrubbery

encroaching upon the sidewalk & bleeding on strangers

I said green arrives each spring

in oceans of hope

the heart balances the head

one wonders why.

It is not a willow green but empty shimmering like a waterfall

aiming directed breath like a mastodon

she inhales tottering

she said the shadow words green but empty

I reach my hand into the city bush green but empty…

stretch my fingers into spaces large enough to fill a universe

stems, twisted branches and shadows

impersonate an atom

a pearl in deep space.

It is not a willow green but empty looking straight ahead like a god

we dance at each other stomping

I cast shadows over the sidewalk

my heart balancing my head

are you a poet

in cave language her shadow replies

I say only it is the truth

pulling her buggy into a mist made of pearls

pulling

one big mistake.

This is the Scene

This is the scene

where I follow the animal

into the forest.

This could be a bird.

A Cubist experiments

with wind

and Morse Code.

Alchemy Begins in the Rain

I stand in the rain

(alchemy begins)

curving like a river

(sparkling like radioactive particles)

loosening dried flecks of ink.

Swallow and

(flow through the manuscript factory)

curvilinear like a small and large intestine

sweeping & twisting

on television.

Experts prove it never happened

dance the paper airplane dance

launch-jab pantomime

surround a plaster statue

launch-jab pantomime.

Julius Caesar

spies a peacock bobbing his moon-of-Jupiter head

spitting ‘Vox clamantis in deserto

the conspiracy unfolds.’

A small and large intestine swallows the light of the sun

I dance myself into a golden egg.

‘I Know’

‘Do you need a ride home?’

‘Yes, I just arrived.’

‘Where will you be staying?’

‘Wherever they will have me and speak the truth.’

‘Have you heard of television?’

‘I have read The Little Box poems by Vasko Popa.’

‘Those are two different things.’

‘I know.’

Running Backwards

Running backwards on a night when all is lost.

When you cannot remember what is lost.

When you see the night-sky running backwards.

It could have been

here

*

the key to here

pulled on a string slowly away

*

I didn’t even notice

*

image originally from the book Ethiopian Magic Scrolls – manipulated in Photoshop

paper

The thing about working on paper is that one touches-feeling the otherworldly textures of this very world. A reminder of the gift, the circle, one has been given.

One can imagine glimmers of this very world.

As tree roots signal compassion & nurture while snaking out and spiralling into the secret dark soil. As their compassion reverberates like ripples in water.

As a forest of vertical bodies reach skyward. As they etch circular rings in their wooden hearts. As they record circles in orbit around the sun. A living symbol of experience. The experience of this earth.

The thing about working on paper is that one performs mark-making enveloped within sacred heaving breath. As delicate breath-shadows dance beneath sunlight falling like holograms. Like a ballet. The story of archetypal tree as mother. How easy to forget.

As paper absorbs watery emotions, even eyesight – like daylight, starlight or candlelight, received intuitively. Quietly the visceral eclipse. How easy to forget.

One can imagine the tree like an iceberg with secret rooms. Multi-dimensional and unknown. Concealed.

Offering utilitarian circle & body. Of this very world. Like an animal. Like sky. Like an eye. One does not forget. As this very world does not forget. As the animal, sky, and eye do not forget.

Bird Vision, a painting on textured watercolour paper