poemimage

The visual & the poetic.

Tag: Neolithic

Towers of Cake in Byzantium

I meet an old friend for coffee and cake

we discuss the symmetry of

consequence, the coincidence of

symmetry.

After we stand on the corner

I visit two bookstores

near one another in The Annex,

mostly second-hand

books I will thumb through

a hundred times (knock on wood)

finding inspiration

sifting subconscious & mythological elements

a chapter here, chapter there

traipsing the curvilinear imagination.

Birds fly low magnetized by subterranean quartz

wings whoosh, swooshing

miraculously, above the roar of wind,

I hear their soft instruction.

A young person, in motion a river,

photographs the books

over my shoulder.

Humming a tune

I contemplate pages

on the subway train.

Or so it seems, the way she steadies her phone

visible out the corner of my eye –

my station approaches.

I said this image is four, maybe, or five-thousand years old

she said I saw the books.

She said something, maybe, what

she read or might be reading.

Maybe she mentioned Byzantium.

I understood barely anything almost nothing,

with her speaking through a mask,

the subterranean ambient noise,

additional my normal hearing trouble.

She repeats a word, I tilt my head

like a bird

darting

the door embellished with golden mosaic tiles,

sliding closes in my face.

A vast dimension

composed of light-years

descends upon me.

The sound of her mystery words

accentuates her aura

like a river in motion.

I repeat rhyming words

the consequence of symmetry

the symmetry of coincidence.

Thank you, she said.

I dart for the door again

climbing tiled stairs

beneath vast archways

tasting cake.

Birds swoop above & below a quartz-river

flowing from the sun.

The Idea of the Book in the Middle Ages: Language Theory, Mythology and Fiction by

Jesse M. Gellrich –

Sun, Moon and Standing Stones by John Edwin Wood –

Inside the Neolithic Mind by David Lewis-Williams & David Pearce –

A Search for Cave and Canyon Art: Voices From the Stone Age by Douglas Mazonowicz – (signed by the author)

Neolithic

Watching you in the shadows rip your poems into pieces, tossing them like blossoms cascading into a bucket of glowing coals.

The shadows of your hands flutter perfectly against the wall, the shadow of your fingers tearing shapes into pieces, tossed up & falling down, the sun at two o’clock highlighting shadows like birds sliding down the wall.

Nobody imagined your face streaked or the palms of your hands covered in coal dust.

One torn fragment flies through smoke and sticks to your streaked face in the shadow of a cherry tree, the bucket heavy as an anchor, the last of your words going up in smoke.

I fell in love with the maps of distant time, unexplained distant time & the Neolithic, I fell in love with the Neolithic – your dark hair,

Dark as some mystery strain of ancient wheat shimmering in the coolness of twilight, pressing your toes and fingers into the clay floor, stretching your body from horizon to horizon

Balancing a voluminous golden disc upon your delicate, curving spine. I’ve learned the language of discs and cherry blossoms, your fingers and smoke. I bury my animal cry.

Your shadows are hunger.

The eye blinks once in the gloomy shadow of the soul’s laboratory. A shattered disc showers fragments. Clay – no, not clay – gold. Hollow doors open and close, concealing this world. You seize the universal remote. Your fingertips press TV channels bright as a sun. The Clay Channel. The Gold Channel.

You gave me an indelible precision I mistook for esoteric ambiguity. Shadows conceal and reveal. I gave you tools for repairing machinery. You asked where this machinery might be found.

In the Legion parking lot snakes fall from the sky. You sing them down into the branches, how you sang! They wound themselves down, sliding and wet, their hearts tinted with gold, zigzagging into liquid angles and spitting hieroglyphics, falling upon your shoulders like rain loosening your hair.

Cauldrons along your spine bubbled over spilling gold. I was drawn as if by a magnet to your magical hysteria on the night you promised you would never shatter again.

You raved about a coastline where we might find ourselves half-buried.

You ridiculed mannerism in cinema but never did you ridicule Suprematism. In the shadow of a tower you open a drawer filled with soft gloves and the sounds of night. You pull charcoal up to your elbow. The Suprematism of your eyes lined with kohl.

A movement crosses the palm of your hand dividing stone from water. Your breath fills your spine with heat, a motionless reflection shimmers, spreading to the edge of a stone radius.

                                                                                                                                                                                                                                                                                                                 Your blood has not forgotten this stone.

                                                                                                                                                                                                                                                                                                                        I read Neolithic in full in February and it took me ten minutes to read with a fairly brisk delivery. I have edited it substantially (and spontaneously) for this posting. I hope I have conveyed the essence of the poem even knowing how much is missing…

 

You Send Me by Sam Cooke (& the Hamangian Cubists)

APabloPicasso-Girl-with-Mandolin-Fanny-Tellier-1910PabloPicasso-Girl-with-Mandolin-Fanny-Tellier-1910X FINALPabloPicasso-Girl-with-Mandolin-Fanny-Tellier-1910

Although cubistic, these artworks pre-date Cubism (and Sam Cooke) by roughly 7,000 years. Hamangia culture is a Late Neolithic archaeological culture of Dobruja (Romania and Bulgaria) between the Danube and the Black Sea and Muntenia in the south.

With Sam CookePabloPicasso-Girl-with-Mandolin-Fanny-Tellier-1910

Cubist image: Pablo Picasso, Girl with a Mandolin (Fanny Tellier), late Spring, 1910

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You Send Me by Sam Cooke: https://www.youtube.com/watch?v=kNco-e2CXuo

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 I do not claim credit or copyright for original source material in this post.
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