poemimage

The visual & the poetic.

Category: Digital art

Inner and Outer Worlds Permeate Poetic Pulse and Melody

afternoon in paradise 3afternoon in paradise 4.afternoon in paradise 5

The streetcar stops beneath a railroad overpass

Snow still on the ground.

Melody stirring a pot of homemade soup

In the apartment she shares with her mother

Near the courthouse.

afternoon in paradise 7afternoon in paradise 8

A scratchy sofa

Something forgettable on TV

afternoon in paradise 6

I pass through her kindness like a boat cut loose.

afternoon in paradise 11

How can I prevent

What I don’t know will happen?

afternoon in paradise 13

Her eyelids lower

Contemplating a surreal image,

Her laughter like the northern lights,

Her smile

A Maya Deren film.

afternoon in paradise 9

 Jealous ghosts

Lay in wait on darkened country roads

Rising against immortal young gods

Speed-yearning into the future.

paradise

Does one simple gesture reconfigure a timeline?

Take the second bowl. The cauldron of vocation.

Leave town with her though you hardly know her.

Study poetry or dowsing,

Wash the ghosts away,

Listen to the northern lights sing into her,

Singing blacktopped roads into a charcoal labyrinth.

afternoon in paradise 1with detail bwith detail bwith detail bwith detail b

Marie Noight A’Shunning by John W. Sexton (with S. McCabe)

6m aria

Freckled with sparrows

Thrushes for tresses

7foreground

The hedge-girl turns

The dial of the moon

womb ocean 2

Marie Noight A’Shunning

Through the rushes running

marie 24 24

Call her name

When the night is long

the montagethree faces of

Then she’ll shout

the stars down

warming tomorrowmarie light strawmarie 3

 John W. Sexton’s mind was poured into his body in 1958; since then his life has been dedicated to poetry.

marie 14

How Marie Noight A’Shunning came to be is a transatlantic astral event (Canada, dreamtime, Ireland). I heard this name in my sleep and in my half-sleep wrote it down. I posted on Facebook about being puzzled; who she was, what she represented. When John W. saw her name he felt an immediate response. Translating these feelings into poetry. My images create a parallel narrative exploring Marie’s identity.

tomorrow

Young Woman With a Goldfish (on Dylan’s 73rd Birthday)

girl fish

 The transistor radio beneath my pillow

Like a Rolling Stone

Bob Dylan making something new

ancient again.

photp from 1901

A Study, No.1

1901

Rudolph Eickemeyer (American, 1862-1932)

Medium: Gelatin silver print

Accession Number: 1972.644.2

The Metropolitan Museum of Art

fish in air

Toronto street, March, 2014

all was still 

goldie

 

When it is gone… (Nietzsche, a quote)

aseductive glance

“When it is gone,

passion leaves behind a dark longing for itself,

watery figuresan oval

and in disappearing

glassy cavefilmstrip

throws us one last

seductive glance

seductive glance.”

turn to youredly
watery figures
Friedrich Nietzsche (1844–1900)

masquefinaland closerfinaltwo of two

that time you were young

yyy

Remember

that time you were young

and you saw something

you almost forgot

and the faster you ran

the slower you arrived

yyyy

Van Gogh

was a bit like that

yyyyy

t

 

wordless

a soloa nightwhen the night comes fallingstereoedball*

*

*

*

*
grey scale

*

*

*

*

*grey scale

 

Tasting the Light by Ellen S. Jaffe

za

I  taste the light

coming through the window.

(from “Odysseus and Circe,” Anne Simpson)

yyyc

Pouring, like you,

 into my heart,

washing over my skin

o

falling

through glass

lightly

ma

flowing waves and circling particles

currents of surprise, delight.

u

I am water, and I am a gull, flying …

mona xround q

a gulf wide and deep as Mexico

k

replenishing after spills and spoils

mona vd

You fish me, for stars

for pearls

lost boys and missing girls

b

fallen into the hole of our fears

O  is an open mouth,

mmmmnmmmnh

one closed eye,

and one open

mona sl

a black hole where light cannot flow

out

mona j

 now light from the window of opportunity

         swallows us whole

33

and  we  shine

we

mona round

shine.

amber

Ellen S. Jaffe’s most recent book of poetry, Skinny-Dipping with the Muse (Guernica Editions, 2014) has recently been launched. Tasting the Light is a new poem, not yet published. Ellen lives in Hamilton, writes poetry and prose, and teaches writing in schools and community centres.

swirlsllround

 

 

Grass by John W. Sexton

eye 2

Along my flanks edges of me are cool

in the shadows of the trees. The rest of me

is out in the sun, brightly green. I’m green

everywhere, except when I’m not; but even in

the withering of me there’s a memory

of green.

27agrassy

My name is synonymous with green

and like that colour I’m innocence itself.

Everything comes to me for everything comes

to the floor, and I’m the floor of everywhere.

birded grass
Even beneath the sea you’ll find a version

of me. But most of the time you’ll find me here,

wherever you happen to be. I’ll be waiting. I remain

here for everyone. It is said I cover the dead, and actually

I do. But I much prefer the living.

12aeye 212a

And the living I live

for most is my darling love. She steps barefoot onto me,

walks my length. I feel myself cooling under each step.

Then she undresses and begins to lie down.

First I feel the shadow of her shape, and then

her shape. I could grow into this. Usually I do.

ocean lawn

 Previously published in Census 2 – From the collection The Offspring of the Moon, Salmon Poetry

eye 212aeye 2
John W. Sexton’s mind was poured into his body in 1958; since then his life has been dedicated to poetry.

egg four

The photo of the grass I wove into some of my digital compositions is from Wikipedia Commons. Credit Marcus Obal, 2007. I am manipulating this image under the terms of the GNU Free Documentation License, Version 1.2

lighter

Titus Andronicus/Iphigenie

personal beauty and charm joseph beuys edition

I wrote a line about beauty being the beginning of silence

a pyramid of soundlessness above a white bed

classic beauty page two

An intuitive synchronicity guided me

as I arranged unrelated

photographs of Joseph Beuys with a book from the 50s

4th composite

The idea of Greek drapery

flowed into

an action/performance:

Titus Andronicus/Iphigenie

media x

It was Earth Day

cloud x jpg

I imagined clicking ‘like’ on a picture of a cat

cat light

and the cat saying

Oh 

spare me

dark contrast xnew green

Seriously

spare me…

full book x

And

Joseph Beuys

calming the

creature

small face x

With an

explanation

of sound

no seriously spare me x

How

the simple act

of

perceiving vibrations

4 again

Creates

a white bed

glass

&

 revolution anew

eye looking

Casting

obsolete paradigms

aside.

partial

One of Joseph Beuys’ most powerful performances was Titus Andronicus/Iphigenie, performed May-June, 1969 in the Theater am Turm in Frankfurt, Germany for Experimenta 3: http://ropac.net/exhibition/iphigenie

eye looking

Iphigenia is a daughter of Agamemnon and Clytemnestra in Greek mythology.

eye looking

Photographs of Joseph Beuys performance: Joseph Beuys foundation. Personal Beauty and Charm published by The Homemaker’s Encyclopedia Inc. 1952. I do not own the copyright any of these photographs. I have refashioned them under fair use provisions to create a new work for non-commercial purposes of parody or commentary.

eye lookingcloser up

Pilots Nobody Believes (in homage to Gabriel Garcia Marquez)

e

Thinning my studio

d

I discover your unlined face looking into the future,

p

sketched with charcoal on lightweight paper.

partial face

My memory of you

totemic

a weak pulse

k

sealed away like a forgotten dimension.

the half the half

I drop clear, blue, plastic bags to the sidewalk

i copy

like fallen

darkly

sections of sky,

fadeout 1 copy

reported by pilots

c

nobody believes.

a

“Wherever they might be they always remember that the past was a lie, that memory has no return, that every spring gone by could never be recovered, and that the wildest and most tenacious love was an ephemeral truth in the end.”

― Gabriel Garcia Marquez, One Hundred Years of Solitude

t

A (forgotten) charcoal drawing digitally contemplated.

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