poemimage

The visual & the poetic.

Category: Drawing

SAINTS IN MY RAIN by Silva Zanoyan Merjanian

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I learned the rain in cursive slants

I learned 
lying on doubts

spread on the sacred and not

spread on my bed, my pillow, my exhale

the crust of every lie I loved

tainted with silver sliver of your tongue

frametriple

I turned that night on its back

after you went to bed

your streets indebted

to shadows of restless dreams

bruising on its replaced ribs

where trash collectors compress

disposed remnants

in the ruble

life’s severed limbs

an envy here

a longing there

a nothingness holier than my prayers

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and I add

that face without the lips

under the face with muffled shame

under the face I used to have

on heaps of unfinished poems

where a lemon tree and jasmine blossoms

promised mornings

colored and scented at my fingertips

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I learned the rain in every lie

in stammer of your pavements

where Saints gather in line at rock bottoms stacked

between my howl and a crow’s black squawk

wrists dripping prayers on St Rita’s solemn face

she sympathizes but says tonight she owns the ledge

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there’s always mad laughter at the foot of beds

where Saints sleep on their sides facing the drapes

that catch the city’s quieting breath

misting under street lamps

that catch impelled compromise

in bourbon shots and blues on a clarinet

as lonely as you

that time when you asked my name

sometimes I tell you

long after you’ve gone to bed

wispish

Silva Zanoyan Merjanian is a widely published poet residing in Southern California. Her work is featured in international publications.  Silva’s  second volume of poetry Rumor will be released by Cold River Press in March 2015.

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Yes

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I did a drawing

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And decided to call it

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‘Yes’

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Because there are so many reasons

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To say

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‘No.’

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After an extended break I find myself slowly catching up with the many interesting posts I missed. A short while longer to finish some things (I haven’t really been taking an actual…holiday) and POEMIMAGE will be active again. It will be my pleasure to introduce you to many interesting poets and writers whose work I will be addressing visually.  As well I’ll relate some of my own ideas and writing. I need to complete my end of the ‘Blog Hop’ bargain after Richard Guest generously shared my page with his readers. Thank you for gracing this page with your presence.

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Gestures Simply Slip Out and On by Heather Cadsby

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Turtles are very old, have no teeth.

Not lost, never had. Not fearful

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of first-person singular.

No turtle turmoil. A reptilian gaze

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is fixed on us as you

adjust the focus.

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This is our assignment. A singular adventure

to create a life list for ourselves.

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Something outside ourselves. Before

we do ourselves in. Copulation

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requires an hour underwater.

Aye aye aye.

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But the good part is a start.

So get your picture.

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We’ll call this one painted

and turn the page

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as if that’s all we need

to know it all.

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Heather Cadsby is the author of four books of poetry. The most recent book, Could be, was published by Brick Books in 2009. Her poems have appeared in such journals as The Antigonish Review, The New Quarterly, PRISM international and The Best Canadian Poetry in English (2008).

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Autumn, late

and helmet
I remember when she said,

I’m sorry to interrupt your relationship

With Bob Dylan.

this now

 

In Rome, do as the Romans do…

two figures

The tourist marvels at the intricate figures and stories on carved stone columns in Rome,

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Imagining a stonemason/carver scooped up by the Roman Legions and brought as a slave with his family alongside for his ‘new’ life,

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He pictures the artisan/slave at work chiselling when a small stone chip flies up hitting his eye.

sculpture and no

He lives nearby and walks home to his hut, where his wife daubs at his eye with a cloth, removing the object.

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The tourist turns to go, and after walking a few seconds,

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Sees a couple involved in some first aid type of situation.

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The man is wearing a camera around his neck,

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And the woman is wiping at his eye with a handkerchief.

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The tourist tells his traveling companion about this coincidence and she says ‘Maybe they’re not here.’

some sculpture

I’m remembering a trip to Italy in 2001 like it just happened.

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I wasn’t originally involved in what turned out to be an Italian-Canadian art education initiative: a visual artist and a musician visiting schools in the north (near Bologna) and the south (Pozzuoli – on the coast south of Naples).

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It was soon after 9-1-1 and I think somebody got cold feet.

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In spite of being stressed about the idea of flying I took the advice given, such as, Are you crazy? Pass up a paid trip to Italy?

sporesome sculpture

It was of course amazing.

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The synchronicity of this event has puzzled me ever since.

distant past

Archival ink drawing in my Moleskin sketchbook & details of Roman sculpture (Wikipedia)

some sculpture

, Autumn Morning

morning-1

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Poema 20

Tonight I can write the saddest lines.

Write, for example, “The night is starry

and the stars are blue and shiver in the distance.”

The night wind revolves in the sky and sings.

Tonight I can write the saddest lines.

I loved her, and sometimes she loved me too.

Through nights like this one I held her in my arms.

I kissed her again and again under the endless sky.

She loved me, sometimes I loved her too.

How could one not have loved her great still eyes.

Tonight I can write the saddest lines.

To think that I do not have her. To feel that I have lost her.

To hear the immense night, still more immense without her.

And the verse falls to the soul like dew to the pasture.

What does it matter that my love could not keep her.

The night is starry and she is not with me.

This is all. In the distance someone is singing. In the distance.

My soul is not satisfied that it has lost her.

My sight tries to find her as though to bring her closer.

My heart looks for her, and she is not with me.

The same night whitening the same trees.

We, of that time, are no longer the same.

I no longer love her, that’s certain, but how I loved her.

My voice tried to find the wind to touch her hearing.

Another’s. She will be another’s. As she was before my kisses.

Her voice, her bright body. Her infinite eyes.

I no longer love her, that’s certain, but maybe I love her.

Love is so short, forgetting is so long.

Because through nights like this one I held her in my arms

my soul is not satisfied that it has lost her.

Though this be the last pain that she makes me suffer

and these the last verses that I write for her.

Pablo Neruda

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morning-1

An Asymmetrical Drawing Lightly & Beyond

spontaneous sketch

You might think the birds would fly three dimensionally

Into this their second body of branches and leaves,

Tuning a vibrational revelation at mechanisms

Attuned eons ago to invisible knowledge,

Whispering upon silent migration,

 Twigs and victorious feather,

Summery din of magic,

Sunlight swooping,

Midnight vine

Asleep in

Dreams

Made

Of

medium

I glean pathways, spiralling gyres, thin vivacious lines

Echoing in silvery twigs & prehistorical symbolism,

Glimmering beyond this garden of fallen souls,

 A volcanic woman nesting like a blue bird,

Her bed an ancient sea of knowledge,

Flowering & blooming oceanic sky

Harmonizing & hammering,

Hypnotizing shadows arc

Perceiving caravans,

Intuiting stone,

Entrancing

Watery

Eyes

Of

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Those nights and days, mostly nights, shaded and cool,

Illuminated by the slow voyaging of distant starlight,

 Songs of star-birds meandering far from magnetic

Fields with soft grasses imprinted upon wings,

Upon all motion, this hand with pen, now

A decision as if Original Idea, golden

Original Thought, in purposeful

 Cascading winds, lighting

Archways & beyond,

Whose feathers

And twigs

Speak

Of

with circlenew tomorrowpsd

Every Day A Bucket Goes Through the World and We Were By the Pool

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I wondered about all the ways a bucket

Could go through the world:

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Metaphorically, Emotionally, Politically, Sexually.

Physically.

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And I wondered about the actions of the process:

Drilling, Lulling, Hypnotizing.

Seducing, Elucidating, Revealing.

Reversing. 

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To what outcome I asked myself:

In what shape of hole or chasm

Does the bottom fall out?

some kind og

Is negative space the new positive?

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Does the bucket absorb the shape of the earth

And lose itself,

 Once or forever?

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I asked myself these questions and meditated upon the possible answers.

No I didn’t.

one day

We were at a pool and the girl I liked was on a towel next to me,

And when I said I loved the Bob Marley song

Coming over the loudspeakers

She said she hated it.

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I Have Learned So Much by Hafiz

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I

Have

Learned

So much from God

That I can no longer

Call

Myself

circular detailgreen night

A Christian, a Hindu, a Muslim,

a Buddhist, a Jew.

invited

The Truth has shared so much of Itself

With me

spoken

That I can no longer call myself

A man, a woman, an angel,

Or even a pure

Soul.

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Love has

Befriended Hafiz so completely

It has turned to ash

And freed

Me

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Of every concept and image

my mind has ever known.

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From: ‘The Gift’  

Translated by Daniel Ladinsky

thouest thou only

I did the ink drawing in my Moleskin sketchbook within the last few days

using a Micron drawing pen with archival ink.

And the digital manipulations of the image within the last 24 hours or so

using Photoshop 5.

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I Know The Way You Can Get by Hafiz

coffee face on lid

I know the way you can get

When you have not had a drink of Love:

Evidence Bcoffee stain 1

Your face hardens,

Your sweet muscles cramp.

Children become concerned

About a strange look that appears in your eyes

Which even begins to worry your own mirror

And nose.

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Squirrels and birds sense your sadness

And call an important conference in a tall tree.

They decide which secret code to chant

To help your mind and soul.

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Even angels fear that brand of madness

That arrays itself against the world

And throws sharp stones and spears into

The innocent

And into one’s self.

duotone deluxetwo types of ecstacy

O I know the way you can get

If you have not been drinking Love:

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You might rip apart

Every sentence your friends and teachers say,

Looking for hidden clauses.

coffee mountain

You might weigh every word on a scale

Like a dead fish.

coffeeism

You might pull out a ruler to measure

From every angle in your darkness

The beautiful dimensions of a heart you once

Trusted.

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I know the way you can get

If you have not had a drink from Love’s

Hands.

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That is why all the Great Ones speak of

The vital need

To keep remembering God,

So you will come to know and see Him

As being so Playful

And Wanting,

Just Wanting to help.

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That is why Hafiz says:

Bring your cup near me.

For all I care about

Is quenching your thirst for freedom!

cinematic shadowthe tomorrow

All a Sane man can ever care about

Is giving Love!

origcoffee face on lid

From: I Heard God Laughing – Renderings of Hafiz

Translated by Daniel Ladinsky