poemimage

The visual & the poetic.

Tag: poetry

You call my name, or something similar, in your sleep or in my dream

You call my name, or something similar, in your sleep or in my dream.

We begin the long march to ecstasy perfumed with oblivion & beads of sweat,

fight lions after binding ourselves back to back with a muscular vine,

& nearly drown during an eclipse.

You call my name, or something similar, in your sleep or in my dream.

The comedy club requires fingerprints pressed to a screen,

same as the eyeglasses store.

We discover a boat within the boat we dig out of sediment.

You call my name, or something similar, in your sleep or in my dream.

We mistake The Code of Hammurabi Avenue for Morse Code Boulevard

& I screw the wrong cap onto the tube of Crazy Glue.

You call my name, or something similar, in your sleep or in my dream.

We discover criminal activity undertaken in broad daylight,

both admitted and denied, by officials with strange eyes,

in the slow drip of cryptic deceit.

You call my name, or something similar, in your sleep or in my dream.

Your voice echoes like Artaud reciting history inside a hollow stone sphinx,

electric lights in the Department of Missing Persons flicker & darken.

Your name on the envelope blows into the wind like a rose petal.

You call my name, or something similar, in your sleep or in my dream.

Newspapers breathlessly report the relationship of nothingness to nothingness,

& emergency measures forbid speaking while purchasing milk or cotton or soap.

You call my name, or something similar, in your sleep or in my dream.

You journey to the asteroid dead in its tracks above a cornfield

& wash smoke out of your hair.

I juggle my shoes & drag a burlap bag of chicken bones

& broken pencils.

You call my name, or something similar, in your sleep or in my dream.

A cluster of oracles attribute your obsession with mirrors to a butterfly

glowing (& menacing) with translucent wings emanating fiery heat.

The ocean heaves pulverized rubies ashore, fine as ash,

to wash & purify children of the mirror.

We learn to walk beneath a translucent sun.

You call my name, or something similar, in your sleep or in my dream.

You kick burning tires down the street in an existential city.

We listen beneath the shaded archway, as hairline cracks develop,

as Hannibal requires his elephant-drivers, courtesans & spies

explain the subtle yet vivid green of pine needles.

You call my name, or something similar, in your sleep or in my dream.

The fast food drive-thru employee ceremoniously hands you clove cigarettes,

chess pieces & thorns in a glass bowl instead of French fries.

You call my name, or something similar, in your sleep or in my dream.

A washing machine shaking violently loosens bolts in the concrete floor.

Van Gogh cannot reach his face & tied to the bed he sobs.

Postage stamps & bathing beauties innocently beguile.

Floppy hats disguise civilizational collapse.

You call my name, or something similar, in your sleep or in my dream.

During the siege of a walled city you discover your name on a secret list,

& the falling moon in a constellation of automobile headlamps signals

the beginning of the one true revolution.

You call my name, or something similar, in your sleep or in my dream.

Nefertiti hypnotizes The Beatles,

a herd of llamas escape,

& blind tourists robbed at gunpoint refuse to laugh it off.

You call my name, or something similar, in your sleep or in my dream.

They parade out the latest deadly cures,

the dancing nurses smash jars of green pickles,

& Mona Lisa announces to the world she is closing the curtain permanently.

You call my name, or something similar, in your sleep or in my dream.

You report a rickshaw collision with angels & the police accuse you of mischief.

A work crew sent by unknown authorities to seal the sacred spring

develops amnesia,

& you have the same dream three times each night. 

You call my name, or something similar, in your sleep or in my dream.

A shaman anoints the tip of your nose with a white paste,

a figure behind a streaked glass windshield adjusts frequencies

aiming a device dead centre on a wasp nest,

& inside the mountain cavern after a day of climbing your stomach feels better.

¥ou call my name, or something similar, in your sleep or in my dream.

Ice cream tastes like karma,

death comes around wearing a fur coat with a giant collar of darker fur,

& everybody looks like Peter O’Toole having a panic attack.

You call my name, or something similar, in your sleep or in my dream.

You continue to gaze at the Encyclopedia of Bare Feet Upon Grass

even as I warn you of dangers in Babylon.

You call my name, or something similar, in your sleep or in my dream.

You write on the chalkboard while sitting on a camel & departing the oasis.

A waterspout of insects shoots up, fractal as stained glass,

escaping a bottomless chalk-lined chamber.

I pilot a butterfly.

You call my name, or something similar, in your sleep or in my dream.

An avalanche of icicles disturbs the tiger’s sleep,

a junkyard dog wearing a suicide vest runs loose in the marshmallow factory,

& black parakeets swooping in dark staircases resemble inky typography.

You call my name, or something similar, in your sleep or in my dream.

A devotee of the Forgotten World Religious Society tumbles bars of soap

into a growling & flashing volcano.

The guardian of the portal sends us on a wild goose chase,

& a painter specializing in ferns claims to be Heironymus Bosch reincarnated.

You call my name, or something similar, in your sleep or in my dream.

The scientist wearing a stethascope & white coat nursing the anvil

with a baby bottle

repeats your name and assigns you a number.

Original image. Gouache & water-soluble graphite on paper, 2021.

Variations digitally created in Photoshop, 2024.

Matisse Blues

The blues in this painting by Matisse, converging as they do like a gymnast accomplishing the perfect flip, extend beyond the visual revelation into possibilities. To possibly become an aerial destination, seen from above, your jutting shoulder the ledge for a flock of birds. To hold in your writing hand a winning lottery ticket for a 1934 classic Buick convertible. To fall in love before three o’clock on this bucolic afternoon. To possibly, stupendously: stop a war. Dig out rot & corruption. Build an illumined shrine. Change the resonance of your voice, your wardrobe, & the way you dance. Personal failures, minor triumphs & dreams, converging as they do like a ball (spinning) made of clay, made of iron. A white star pulses in the human heart, an archetype as transformational as Sri Yantra. Possibly these shades of blue, pulsing cosmologically, as fulfilling as a yield of wheat, change everything at once. Do you see what you did Matisse?

Henri Matisse Nude Painting, Plaster Torso and Bouquet of Flowers, 1919, oil on canvas

A Kiss

What one might do with words.

What words might do with one.

When one echoes, ‘Bluebird in Disguise

canyon to canyon,

& traces of Cubism disguise the bluebird in a small painting

& one traverses the howling wasteland, to and fro,

criss-crossing a porous sieve – remembering how to protect

who & what one is becoming,

who & what one is becoming,

who & what one is becoming,

& simultaneously, a rivery motion

there – beside the blacktopped road,

in shades of tinted depth, beyond the gully,

the face of the forest whispering a kiss

in gut-feelings a kiss

in language a kiss

In danger a kiss.

A white-magic kiss.

A mother & child kiss.

A kiss at the wishing well.

A moonlight-upon-ferns kiss.

An elusive kiss.

A kiss clawing through sediment.

A kiss brushing your hair.

A kiss breathing your name.

A kiss chanting forbidden knowldege.

A kiss in animal shadows.

The kiss of ecstatic verse.

The kiss of the crystal star.

A kiss of realization.

A kiss following crucifixion.

In stone a kiss. In wood a kiss.

In sundrops the symbol of a kiss.

A kiss in premonition.

Bluebird in Disguise, 2023 – 9″ X 12″ – mixed media on paper

Eyes (& Orphee by Cocteau)

I have been approaching an idea I am still approaching

I circle the idea again and again

for some reason I made this comparison of eyes.

Eyes are truly the window to the soul

The soul is truly a window to the eyes

The window is truly eyes upon the soul. 

I think of the glazier in Cocteau’s poetry-film Orphee wandering in the underworld. 

I have the VHS tape rewound & worn, rewound & worn.

I may watch Orphee again one day. It reminds me of somebody.

My very own figure of death no longer mine.

In this comparison:

Burl Ives: Actor ~ musician ~ crouching fire-starter, lonely hero, feet of clay, masculine subject-object, middle name Ivanhoe, dancing round the Maypole, related to composer Charles Ives. In the heart is the first principle.

Mona Lisa: Mystery-school perception, the sun-drenched alchemical Renaissance, feminine subject-object, diagram the ancient golden number, echoing feet, touch linen ~ hazelnut paste, envision the Milky Way. In the heart is the first principle.

President: The conceptual zero imagined in three-dimensions, museums collapse beneath clouds funnelling stones, candy cigarettes, a camoflauged animal-skin eye-patch, mythological gods stir in vengeful coughing slumber. Envision the absent first principle.

I may watch Orphee again one day.

Three GIFs with images of ‘calligraphy’ (script or symbol) upon the sun.

flightpath

flightpath is a cinematic video-poem featuring the art of Tehran artist Shirin Pilehvari in contrast with pristine, old-growth forest in Limehouse, Ontario. My function was writer (poet) & director. Please note full credits in the video and on my YouTube channel for a list of creative collaborators in visual art, music, poetry, narration, translation and editing.

Our core team included Eric Gerrard (camera) and Konrad Skreta (audio and video editing). We created seven video poems between 2009-2013.

In 2020 Konrad Skreta and I collaborated on a 32 minute video poem featuring his experimental animation of my digital collages (and poetry).

Transfiguration

A poetry video from eight years ago I made with a professional camera operator and video/audio editor, location sound mixer, a drummer, public domain silent film (masters!) footage, Spanish & French translation, urban footage…  

Prologue by Luciano Iacobelli

To create angels

Is to slice pie and name wedges:

difficult angles of light preserved in heart’s jelly

teenaged crushes trapped diagonally

undirected love felt in the presence of music

infatuation without object

movement in the skull

turtles waking in the mind’s mud

grape cluster the past becomes if artfully remembered

not images

but the script under them

negative space written in spelling errors

negligence that amends the soul

a family of perspectives driving a cumulative death

into the oncoming traffic

whole note in a black triangle on a blue background

disappearances denting the air

weather not noticed by the self absorbed

ignited visions

kissed ashes

barrel in the cellar

parallel fermentation of grape juice and darkness

the strong red taste of every humanizing event

stolen hour at the church dance

when a hard father’s daughter meets the one

who steals her from home

mines and quarries dug with the eyes

dream’s mailman

slipping letters through the slot

the white surrounding this

word

Luciano Iacobelli is a Toronto poet, publisher and editor. From 2007 to 2019 he was involved with Quattro books as both publisher and editor. He still runs a micropress entitled Lyricalmyrical press, specializing in hand made poetry chapbooks. As an author, he has published 6 full length books of poetry, his most recent book DOLOR MIDNIGHT was published in 2018 and deals with the subject of gambling. His next book, NOCTOGRAMS is due to be published in the fall of 2020 and deals with the subject of night and transformation.

Prologue begins THE ANGEL NOTEBOOK (Seraphim Editions, 2007)

Neolithic

Watching you in the shadows rip your poems into pieces, tossing them like blossoms cascading into a bucket of glowing coals.

The shadows of your hands flutter perfectly against the wall, the shadow of your fingers tearing shapes into pieces, tossed up & falling down, the sun at two o’clock highlighting shadows like birds sliding down the wall.

Nobody imagined your face streaked or the palms of your hands covered in coal dust.

One torn fragment flies through smoke and sticks to your streaked face in the shadow of a cherry tree, the bucket heavy as an anchor, the last of your words going up in smoke.

I fell in love with the maps of distant time, unexplained distant time & the Neolithic, I fell in love with the Neolithic – your dark hair,

Dark as some mystery strain of ancient wheat shimmering in the coolness of twilight, pressing your toes and fingers into the clay floor, stretching your body from horizon to horizon

Balancing a voluminous golden disc upon your delicate, curving spine. I’ve learned the language of discs and cherry blossoms, your fingers and smoke. I bury my animal cry.

Your shadows are hunger.

The eye blinks once in the gloomy shadow of the soul’s laboratory. A shattered disc showers fragments. Clay – no, not clay – gold. Hollow doors open and close, concealing this world. You seize the universal remote. Your fingertips press TV channels bright as a sun. The Clay Channel. The Gold Channel.

You gave me an indelible precision I mistook for esoteric ambiguity. Shadows conceal and reveal. I gave you tools for repairing machinery. You asked where this machinery might be found.

In the Legion parking lot snakes fall from the sky. You sing them down into the branches, how you sang! They wound themselves down, sliding and wet, their hearts tinted with gold, zigzagging into liquid angles and spitting hieroglyphics, falling upon your shoulders like rain loosening your hair.

Cauldrons along your spine bubbled over spilling gold. I was drawn as if by a magnet to your magical hysteria on the night you promised you would never shatter again.

You raved about a coastline where we might find ourselves half-buried.

You ridiculed mannerism in cinema but never did you ridicule Suprematism. In the shadow of a tower you open a drawer filled with soft gloves and the sounds of night. You pull charcoal up to your elbow. The Suprematism of your eyes lined with kohl.

A movement crosses the palm of your hand dividing stone from water. Your breath fills your spine with heat, a motionless reflection shimmers, spreading to the edge of a stone radius.

                                                                                                                                                                                                                                                                                                                 Your blood has not forgotten this stone.

                                                                                                                                                                                                                                                                                                                        I read Neolithic in full in February and it took me ten minutes to read with a fairly brisk delivery. I have edited it substantially (and spontaneously) for this posting. I hope I have conveyed the essence of the poem even knowing how much is missing…

 

Reposed in Flight by Ned Baeck

Basement bright with skin

shows dark, rapt faces.

They hold him

in their hearts and brains.

Someone whispered the world

is not worth becoming evil for –

On the ceiling, which is the maiden mother’s floor,

they pound, and pause, and pound again.

Blood pulsing in their fists,

the pierce of loathing under their ribs.

In a shadowed mezzanine

below the conscious mind,

they gnaw on river fish,

direct you to the wrong people,

put glitter in their eyes,

control the atmosphere,

arrange stillborn thoughts in old places.

Later they will say you brought down

the old, dull, rusted sword

with your own hands – and you did –

on the samovar that hid her hand

and the bed where she bared herself.

Motionless,

bird reposed in flight,

love for whose sake everything, murderous

and merciful, is done –

It’s so quiet now,

vouchsafed to a world of sullen depravity,

a few crumbs of dust for the broom.

The true operation of your mind – follow it –

 

Ned Baeck lives in Vancouver.

His poems have recently appeared in untethered, The Continuist and Sewer Lid.

His first full-length collection of poems is forthcoming from Guernica.