poemimage

The visual & the poetic.

Category: Visual Art & Poetry

Constructing a Self-Referential Collage

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Moon shattering upon a highway her voice inside you.

2

Her voice inside you, a falling stone.

3faded

Her mountain stone an echo, your mouth erupting.

fish

Tattooed with Hittite song her skin barely visible, a windshield.

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Her Hittite moon evaporating, condensing upon your windshield.

tinted

She confuses you while casting forth the vibrant song of singing birds.

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Birdsong at work within you, within a song-stone breeze, erupting.

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Her stone-sliding an echo.

sphere

Almost a whisper

final

Your voice evaporating & erupting, an engineering marvel.

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Lyrics on collage from ‘Just Like Tom Thumb’s Blues’  https://vimeo.com/113869969

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If You Decide

a

We need to learn an almost extinct language I will study with you.

e

We need to live among the people whose language is almost lost I will join you and also learn traditional survival skills.

c

To leave me for the shaman I will drive a stake through his medicine box, realize my grave error instantly, and escape, although barely.

d

To beckon and summon, seducing me with whispers that reach into my blood, I will return.

b

I must stand trial for my crimes against love and magic, I will escape, again.

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If you decide to hypnotize me while I sleep I will seal my heart against your vibrations and embrace the crazed dream of modernity. Because I am a fool. Weary of surviving on roots. Even the root of you. Even the root of me.

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If you decide I must seal my heart against the sounds you once made I will throw the window open a final time, upon your murmur coursing & drenched in starlight, intersected by a highway carrying the disappeared.

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If you decide to remain quiet I will train my ear to hear the sunlight falling.

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If you decide it is my duty to dig out the wooden stake I will return in the dead of night speaking an extinct language.

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Photo credit: Renee Perle, a Romanian Jewish girl who moved to Paris, is famous as the first muse of the famous French photographer Jacques Henri Lartigue (1894-1986), who is considered one of the leading photographers of the 20th century.

http://www.romanianculture.org/personalities/Renee_Perle.htm

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SAINTS IN MY RAIN by Silva Zanoyan Merjanian

royal 3triple
I learned the rain in cursive slants

I learned 
lying on doubts

spread on the sacred and not

spread on my bed, my pillow, my exhale

the crust of every lie I loved

tainted with silver sliver of your tongue

frametriple

I turned that night on its back

after you went to bed

your streets indebted

to shadows of restless dreams

bruising on its replaced ribs

where trash collectors compress

disposed remnants

in the ruble

life’s severed limbs

an envy here

a longing there

a nothingness holier than my prayers

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and I add

that face without the lips

under the face with muffled shame

under the face I used to have

on heaps of unfinished poems

where a lemon tree and jasmine blossoms

promised mornings

colored and scented at my fingertips

shadow2

I learned the rain in every lie

in stammer of your pavements

where Saints gather in line at rock bottoms stacked

between my howl and a crow’s black squawk

wrists dripping prayers on St Rita’s solemn face

she sympathizes but says tonight she owns the ledge

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there’s always mad laughter at the foot of beds

where Saints sleep on their sides facing the drapes

that catch the city’s quieting breath

misting under street lamps

that catch impelled compromise

in bourbon shots and blues on a clarinet

as lonely as you

that time when you asked my name

sometimes I tell you

long after you’ve gone to bed

wispish

Silva Zanoyan Merjanian is a widely published poet residing in Southern California. Her work is featured in international publications.  Silva’s  second volume of poetry Rumor will be released by Cold River Press in March 2015.

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A Golden Compass by Hafiz

circular contrasta

Forget every idea of right and wrong
any classroom ever taught you

thoughtcavernous

Because
an empty heart, a tormented mind,
Unkindness, jealousy and fear are always the testimony
you have been completely fooled!

mountedbecause 2a face

Turn your back on those
who would imprison your wondrous spirit
with deceit and lies.

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Come, join the honest company
of the King’s beggars –
those gamblers, scoundrels and divine clowns
and those astonishing fair courtesans
who need Divine Love every night.

reflectionas twilightxbecause 2

Come, join the courageous
who have no choice
but to bet their entire world
that indeed,
indeed, God is Real.

discsa windowin contemplation

I will lead you into the circle
of the Beloved’s cunning thieves,
those playful royal rogues–
the ones you can trust for true guidance–
who can aid you
In this blessed calamity of life.

blue montagetwin sketcha face

Translated by Daniel Ladinsky

xbecause 2double facedouble facedouble faceside view 2

Elevator

a

I read a quote by art critic Robert Hughes comparing painters: There is more death in a Gustave Courbet portrait of a trout than Rubens could get in a whole Crucifixion…

detail d

Then I heard a song by an artist we saw in concert. Who spun magic, jewelled webs we fell into after chasing each other through twilight circumstance. Twilight and traffic.

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 The labyrinth ruled by Janus one level below.

bb

The shadows jousting on the street didn’t remind me of your fingertips, or your January dancing, or your honeyed cake.

detail b

I didn’t make that joke in the elevator.

aa

Carried, like some tragic Pieta, into the stream. The playing of a wooden flute sounding in the reeds. My hands flat against your skin. The temperature slipping.

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Forbidden music within your temple as quiet and still as polished stones. Awash in the fragrance of whispered moments. As shiny as a silver bracelet, a tunnel, a hook.

detail d

I’m not even sure I heard anything.

detail c

Did such music ever exist.

c

I’ve never wondered how my fine shoes, sewn of ancient parchment & soft as a silk purse, got so wet.

detail a

Nor have I contemplated Gustave Courbet’s

detail d

Trout.

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Or the absence of all that is not

detail d faded twice

Trout.

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While gazing into the eye of the fish,

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A future sun.

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Credits for original images: The Trout by Gustave Courbet, 1873. Cat on a Hot Tin Roof, 1958, based on the play by Tennessee Williams starring Paul Newman and Elizabeth Taylor. Skyscraper and Tunnels by Italian Futurist painter Fortunato Depero, 1930. Pieta by Michelangelo.

a

I do not own the original images or claim copyright. I have created new images for non-commercial purposes of commentary under Fair Use provisions of copyright law.

aa

 

 

& Walk

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Walk into this land of echoes, rising, from long disappeared passages &

old road

Pounding with the resonance of a single, surging heartbeat.

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& Step lightly into, like a fox beneath the moon,

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Or the hunting bird, balanced, upon a branch pulsing,

with bowl

& Heavy clouds damping electrical skies.

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& Shaking berries into a bowl,

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Sharing handfuls bed to bed,

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 A nurse tending to the wound.

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The rhythm of & clapping hands,

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Two Palms, pressing deeply & into a lover.

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& Feet upon a curving world, arcing night into day,

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Timelessly vanished into a pulsing desire & always

old road

Echoes dress the wound.

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A heartbeat washing the sky &

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A vanishing moon, poured into bowls & delivered bed to bed.

with bowl

& Walk pulsing,

skyward 2

& Walk always,

dusk bowl

& Walk into.

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Source material for digital collage:

Etching No 2. Soft ground etching by German landscape painter and etcher Franz Joseph Manskirsch (1768-1830).

Ancient Egyptian tomb art. Unknown artist. est. 2000 B.C.

Michelangelo, Sistine Chapel, 1508-1512

Mesopotamian Incantation Bowl, 8th Century, photo Christies.

veil of

I do not claim copyright ownership of original images. I have created new images for non-commercial purposes of commentary or parody under fair use provisions of the copyright law.

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Yes

new5

I did a drawing

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And decided to call it

natural 3

‘Yes’

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Because there are so many reasons

interaction3

To say

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‘No.’

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After an extended break I find myself slowly catching up with the many interesting posts I missed. A short while longer to finish some things (I haven’t really been taking an actual…holiday) and POEMIMAGE will be active again. It will be my pleasure to introduce you to many interesting poets and writers whose work I will be addressing visually.  As well I’ll relate some of my own ideas and writing. I need to complete my end of the ‘Blog Hop’ bargain after Richard Guest generously shared my page with his readers. Thank you for gracing this page with your presence.

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A Bolt of Black Cloth

9

I imagined a colour the density of funeral bunting,

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A bolt of black cloth,

a singed songflaring

A sudden black waterfall quickly dropping six stories,

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Unrolled from a balcony,

dense nights

The beginning of a voyage,

fire lotq

Negotiating darkness.

flaring

My father shopped at Dales for paper bags full of groceries,

parkinglot

I waited in the car listening to the radio,

people who knowwaiting in the car 1

I tried to describe a song called Eve of Destruction,

q

He looked at me in the rear-view mirror,

r

Columns of black smoke rose above the Pacific Ocean,

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Like poisonous vines,

the projector shining

Morse code blinking through the darkness,

waiting in the car 1

At night he came home as late as possible,

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Then looking again into the rear-view mirror,

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He repeated the name of the song,

‘Eve of Destruction.’

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I pictured a wooden bowl in my chest,

parkinglotthe projector shining

Smoothed and worn by water,

p

& Climbing the stairs into this language,

a ring

Gazed, longingly, into a rear-view mirror.

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Nothing Is Real… Strawberry Fields Forever

as a boy

John Lennon & the gates of

Strawberry Field

Where he played

As a young boy…

gate

(and still)

Nothing is real…

Strawberry Fields Forever.

gate

Every year at this time

The hole

Where the spark of you

Was,

…it must be high or low,

Appearing

Like a cosmic holograph,

Zooming into view,

A thumbprint,

Touching &

Sailing into the sound

Of all that is

Going down.

Rockabilly blues overlap into

A new dimension

&

You, again, deliver us into…

gate

(and still)

Nothing is real…

Strawberry Fields Forever.

gate

Steering through,

Beyond,

 Ornately fashioned

Gates of Perception…

Ah, Irish John of England,

Blake, Luddites and

Nell Gwyn,

Entering that space

Within your self,

Where

In your absence

 You can always be.

Let me take you

down…

Cause I’m going to…

gate

(and still)

Nothing is real…

Strawberry Fields Forever.

o

Lyrics to Strawberry Fields Forever: http://letras.com/the-beatles/186/

Strawberry Fields Forever by The Beatles video: http://vimeo.com/75657441

gate

I had a friend in high school who would wear all black clothing, as well as sunglasses, walk beneath a black umbrella no matter the weather, and hitchhike at night. He laughed that he wanted to make people wonder whether they had actually seen somebody or not. We thumbed a ride a couple miles to a diner past the edge of town, with small jukeboxes on the counter, spending all our spare change playing Strawberry Fields Forever. He was, of course, in black, the small town atmosphere verging on confrontational, and the music, even though coming from tiny speakers, aiming rays of otherworldly colours and sensations into one’s mind. This song has never ceased to touch my sense of what might be mystical. I know I am not alone in missing John Lennon terribly.

as a boy

Snowing Lightly & I am Looking for Pyramids in the Street

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Clearly the street sign is warning me about pyramids ahead.

spiritual

Maybe around the corner. By the school or the park.

magic world?

My neighbours say no. This is about speed bumps.

neighbours 2?

It’s simply a way of saying go slow. Drive slowly.

hands?

My neighbours tend to minimize everything.

her with stars?

I think this time they are wrong.

blue night?

They say I have no idea what they saw driving up here tonight.

mystical?

That I have no idea what they have been through.

ice pyramids?

That in the short time I have left I need to be more open to the experiences of others.

old photo?

I said ‘What?’

 street

In the public domain photos of Wikipedia Commons I found a link to images of cultural expression in Finland following World War 2:

http://pomus.net/kehityslinjat/1945-1959

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